The main subject of the paper is music programming on Wrocław TV, which has boasted for many years of being one of the most prolifi c regional music stations. Additionally, the development of music journalism on Wrocław TV is discussed.
The aim of the article is a detailed analysis of music programming on Wrocław TV from its beginnings until 2010 and its correlation with music journalism opportunities. The study is a part of the author’s PhD thesis entitled: ‘Music Journalism in Polish Television Wrocław in 1994–2010’.
The conclusions of the paper come from a critical analysis of available written and visual sources obtained from Wrocław TV materials. The main research material consists mainly of: minutes, resolutions, programme scenarios, plans, programme drafts, and broadcast schedules as well as KRRiT (National Broadcasting Council) reports and was obtained from TV archives and private sources. The detailed analysis of all those materials yielded substantial conclusions on the development of music programming on Wrocław TV during its activities as a public television.
The results of the research show a gradual reduction in the broadcasting of music and music programmes on Wrocław TV and consequently the decline in music journalism into a marginal specialism.

The main subject of the paper is music programming on Wrocław TV, which has boasted for many years of being one of the most prolifi c regional music stations. Additionally, the development of music journalism on Wrocław TV is discussed.
The aim of the article is a detailed analysis of music programming on Wrocław TV from its beginnings until 2010 and its correlation with music journalism opportunities. The study is a part of the author’s PhD thesis entitled: ‘Music Journalism in Polish Television Wrocław in 1994–2010’.
The conclusions of the paper come from a critical analysis of available written and visual sources obtained from Wrocław TV materials. The main research material consists mainly of: minutes, resolutions, programme scenarios, plans, programme drafts, and broadcast schedules as well as KRRiT (National Broadcasting Council) reports and was obtained from TV archives and private sources. The detailed analysis of all those materials yielded substantial conclusions on the development of music programming on Wrocław TV during its activities as a public television.
The results of the research show a gradual reduction in the broadcasting of music and music programmes on Wrocław TV and consequently the decline in music journalism into a marginal specialism.