Data publikacji: 02.07.2024
Licencja: CC BY
Redakcja
Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 7 - 7
https://doi.org/10.4467/20843941YC.21.013.19414Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 9 - 20
https://doi.org/10.4467/20843941YC.21.001.19291Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 21 - 31
https://doi.org/10.4467/20843941YC.21.002.19292Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 33 - 48
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https://doi.org/10.4467/20843941YC.21.006.19296Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 99 - 109
https://doi.org/10.4467/20843941YC.21.007.19297Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 111 - 121
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https://doi.org/10.4467/20843941YC.21.009.19299Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 129 - 132
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https://doi.org/10.4467/20843941YC.21.010.19300Yearbook of Conrad Studies, Vol. 16 (2021), 2021, s. 135 - 136
https://doi.org/10.4467/20843941YC.21.012.19413Słowa kluczowe: Stefan Zabierowski, reading and reception research, Lord Jim, intertextuality, Umberto Eco, Slutsk Belt, Joseph Conrad, Kazimierz Wierzyński, Adam Mickiewicz, Sonety krymskie, Crimean Sonnets, Lord Jim, Róża wiatrów, Compa Ros, drama, Leon Schiller, Victory, Joseph Conrad, adaptation, Lviv theatre, performance, Andrzej Bobkowski, Joseph Conrad, emigration, freedom, Joseph Conrad, “The Tale”, intertextuality, denegation, epistemology, modernism, American writing, Joseph Conrad, H. G. Wells, short stories, Joseph Conrad, Lord Jim, shame, guilt, narcissism, Joseph Conrad, lying, white lies, half-truths, wishful thinking, self-delusion