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https://doi.org/10.4467/20843941YC.18.002.11237Yearbook of Conrad Studies, Vol. 13, 2018, s. 31 - 39
https://doi.org/10.4467/20843941YC.18.003.11238Yearbook of Conrad Studies, Vol. 13, 2018, s. 41 - 54
https://doi.org/10.4467/20843941YC.18.004.11239Yearbook of Conrad Studies, Vol. 13, 2018, s. 55 - 64
https://doi.org/10.4467/20843941YC.18.005.11240Yearbook of Conrad Studies, Vol. 13, 2018, s. 65 - 82
https://doi.org/10.4467/20843941YC.18.006.11241Yearbook of Conrad Studies, Vol. 13, 2018, s. 83 - 99
https://doi.org/10.4467/20843941YC.18.007.11242Yearbook of Conrad Studies, Vol. 13, 2018, s. 101 - 117
https://doi.org/10.4467/20843941YC.18.008.11243Yearbook of Conrad Studies, Vol. 13, 2018, s. 119 - 128
https://doi.org/10.4467/20843941YC.18.009.11244Yearbook of Conrad Studies, Vol. 13, 2018, s. 129 - 134
Słowa kluczowe: legacy, influence, Joseph Conrad’s works, political fiction, popular fiction, narration, colonialism, Modernism, Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising, Joseph Conrad, artistry, ideological mediatization, borderland heritage, Polish identity, terrorism, Nihilism, Irish Fenians, absurdity, parasites, idleness, ‘rules of the game’, surrealism, metaphysical, feminism, heroines, Victory, madness, despair, Russia, “The Duel”, Conrad, Rylski, spectre, hauntology, Joseph Conrad, romance, realism, autobiography, outsiders in literature, The Nigger of the “Narcissus", Polish Romanticism, Adam Mickiewicz, Juliusz Słowacki, genesis philosophy, Pedro Calderón de la Barca, Joseph Conrad, Joseph Conrad-Korzeniowski, Polish soul, English writer, Polish identity, chivalric tradition, Polish Eastern Borderlands
