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RIS BIB ENDNOTEData publikacji: 18.12.2018
Przekładaniec, Numery anglojęzyczne, Special Issue 2018 – (Post)colonial Translation, s. 125 - 142
https://doi.org/10.4467/16891864ePC.18.006.9828Autorzy
Katherine Boo’s award-winning non-fiction book (2012) and David Hare’s play Behind the Beautiful Forevers (2014) are set in a Mumbai slum called Annawadi. They tell a story of one family’s struggle with the Indian judiciary system, describing the life in a Mumbai slum in the process. The article purports to analyse the translation element of Boo’s narrative, as well as the book’s translation (Polish translation by Adrianna Sokołowska-Ostapko) and adaptation (Hare’s play). The first part of the article is focused on various shifts occurring in those secondary texts. Special attention is paid to ideological consequences and motivations of various decisions, which, consequently, leads to the question about the oppressive potential of translation (inspired by theories of Edward Said and Gayatri Spivak). The second part of the article deals with the fact that although translation remains an essential and obvious component of Behind the Beautiful Forevers for all three authors (Boo, Hare, and Sokołowska-Ostapko), this issue has been largely neglected (or misrepresented) by readers and critics. This, in turn, leads to the question (based on Itamar Even-Zohar’s polysystem theory) to what extent the case of Behind Beautiful Forevers can be interpreted as a product of various forces conditioning the scope and future of postcolonial translation.
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Informacje: Przekładaniec, Numery anglojęzyczne, Special Issue 2018 – (Post)colonial Translation, s. 125 - 142
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
Uniwersytet Ignatianum w Krakowie
Polska
Publikacja: 18.12.2018
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
Udział procentowy autorów:
Korekty artykułu:
-Języki publikacji:
AngielskiLiczba wyświetleń: 1987
Liczba pobrań: 1693