The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century
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RIS BIB ENDNOTEThe French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century
Data publikacji: 2020
Kwartalnik Młodych Muzykologów UJ, English Issues, Issue 45 (2/2020), s. 5 - 22
https://doi.org/10.4467/23537094KMMUJ.20.028.13901Autorzy
The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century
The article is an attempt at identifying issues related to the problem of the adaptation of valve mechanisms in Parisian orchestras and Conservatoire. Opinions and postulates of supporters and opponents are being presented, as well as the concepts of combining the valve instrument with the use of the natural horn playing technique. In this context, the perspective of natural horn players, who contributed to the significant delay in the adaptation of valve horns in Paris, are being discussed. Further parts of the text explain the construction of natural horns commonly used in the discussed period in France (cor solo and cor d’orchestre), as well as various issues related to the specific playing technique. The differences between cor alto and cor basse are being examined as well as the concept of cor mixte proposed by Frédéric Duvernoy.
Secondary sources
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Informacje: Kwartalnik Młodych Muzykologów UJ, English Issues, Issue 45 (2/2020), s. 5 - 22
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century
The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century
Uniwersytet Adama Mickiewicza w Poznaniu, Wieniawskiego 1, 61-712 Poznań
Publikacja: 2020
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
Udział procentowy autorów:
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