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Kwartalnik Młodych Muzykologów UJ

The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century

Data publikacji: 2020

Kwartalnik Młodych Muzykologów UJ, English Issues, Issue 45 (2/2020), s. 5 - 22

https://doi.org/10.4467/23537094KMMUJ.20.028.13901

Autorzy

Alicja Rozwadowska
Uniwersytet Adama Mickiewicza w Poznaniu, Wieniawskiego 1, 61-712 Poznań
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Tytuły

The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century

Abstrakt

The article is an attempt at identifying issues related to the problem of the adaptation of valve mechanisms in Parisian orchestras and Conservatoire. Opinions and postulates of supporters and opponents are being presented, as well as the concepts of combining the valve instrument with the use of the natural horn playing technique. In this context, the perspective of natural horn players, who contributed to the significant delay in the adaptation of valve horns in Paris, are being discussed. Further parts of the text explain the construction of natural horns commonly used in the discussed period in France (cor solo and cor d’orchestre), as well as various issues related to the specific playing technique. The differences between cor alto and cor basse are being examined as well as the concept of cor mixte proposed by Frédéric Duvernoy.

Bibliografia

Secondary sources

Baines, A., Brass Instruments, Their History and Development(London: Faber & Faber, 1976).

Berlioz, H., Grand traité d’instrumentation et d’orchestration modernes(Paris: Schonenberger, 1843).

Berlioz, H., A treatise on modern instrumentation and orchestration, tr. M. Cowden Clarke, ed. J. Bennett (London–New York: Novello, Ewer & Co., 1882).

Coar, B., A Critical Study of the Nineteenth-Century Horn Virtuosi in France(DeKalb (IL): B. Coar, 1952).

Dauprat, L.-F., Le professeur de musique, ou, L’enseignement de cet art. Mis a la portee de chacun au moyen d’un instrument a sons fixes et du metronome de Maelzel(Paris: A. Quinzard, 1857).

Dauprat, L.-F., Methode de Cor-alto et Cor-basse(Paris: Zetter, 1824).

Domnich, H., Methode de Premier et de Second Cor(Paris: Le Roy, 1808).

Ericson, J., ‘Dauprat on the Tone of the Natural Horn. The aesthetics of the natural horn’, http://www.public.asu.edu/~jqerics/dauprat_tone.htm, accessed1 June 2020.

Ericson, J., ‘Early Valve Designs’, http://www.public.asu.edu/~jqerics/earlval.htm,accessed 1 June 2020.

Farkas, P., The Art of French Horn Playing(Evanston (IL): Summy-Birchard, 1956).

Gallay, J.-F., Methode pour le Cor,Op. 54 (Paris: Henry Lemoine & Cie., [1845]).

Humphries, J., The Early Horn. A Practical Guide(Cambridge Cambridge University Press, 2000).

Morley-Pegge, R., The French Horn. Some Notes on the Evolution of the Instrument and of Its Technique(2nd edn, London: E. Benn, 1973).

Montagu, J., Horns and Trumpets of the World. An Illustrated Guide(Lanham (MD)–Plymouth: Rowman & Littlefield, 2014).

Mongrédien, J., French Music from Enlightenment to Romanticism 1789–1830, tr. S. Frémaux (Portland (OR): Amadeus Press, 1996).

Rozwadowska, A., ‘Życie i twórczość Jacquesa-Françoisa Gallay’ego’,(MA thesis, Poznań: Adam Mickiewicz Universtity, Institute of Musicology, 2018).

Informacje

Informacje: Kwartalnik Młodych Muzykologów UJ, English Issues, s. 5 - 22

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century

Angielski:

The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century

Autorzy

Uniwersytet Adama Mickiewicza w Poznaniu, Wieniawskiego 1, 61-712 Poznań

Publikacja: 2020

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Alicja Rozwadowska (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski

Liczba wyświetleń: 811

Liczba pobrań: 922