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Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa

Data publikacji: 19.12.2018

Kwartalnik Młodych Muzykologów UJ, 2018, Numer 39 (4/2018), s. 39 - 54

https://doi.org/10.4467/23537094KMMUJ.18.038.9739

Autorzy

Miłosz Bazelak
Akademia Muzyczna w Łodzi
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Tytuły

Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa

Abstrakt

The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27

The musical style of Johannes Brahms has long been known as influenced by music of the earlier epochs. Its references to techniques, forms and genres of the Renaissance and Baroque music and the elaborate use of the counterpoint were frequently analysed by musicologists. Less often, however, the potential relationship between word and music shaped by the rhetoric in the Baroque music was studied, something which was somewhat forgotten in the Romanticism. Brahms’ fascination with the past, which led the composer to study the 18th-century musical literature and treatises, enabled him to recognise many interesting aspects of the Baroque music. Like Bach and his contemporaries, Brahms used rhetorical figures in his early sacred works, e.g. Psalm XIII Op. 27.

Bibliografia

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Brodbeck D., The Brahms–Joachim Counterpoint Exchange, [w:] Brahms Studies, red. D. Brodbeck, t. 1, Lincoln 1995.

Buelow G.J., Rhetoric and Music, [w:] The New Grove Dictionary of Music and Musicians, red. S. Sadie, t. 21, London 1980.

Clive P., Brahms and His World: A Biographical Dictionary, Lanham 2006.

Geiringer K., Brahms as a Musicologist, „The Musical Quarterly” 69 (1983), nr 4.

Hancock V., Brahms’s Performances of Early Choral Music, „19th-Century Music” 8 (1984), nr 2.

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Littlewood J., The Variations of Johannes Brahms, London 2004.

Musgrave M., The Music of Brahms, New York 1985.

Owen B., The Organ Music of Johannes Brahms, New York 2007.

Pascall R., Brahms Beyond Mastery: His „Sarabande and Gavotte”, and its Recompositions, Farnham 2013.

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Informacje

Informacje: Kwartalnik Młodych Muzykologów UJ, 2018, Numer 39 (4/2018), s. 39 - 54

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa

Angielski:

The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27

Autorzy

Akademia Muzyczna w Łodzi

Publikacja: 19.12.2018

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Miłosz Bazelak (Autor) - 100%

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