Anna Niedźwiedź

S. Ann Dunham: Singular and Alone. A Biography of Barack Obama’s Mother

This article recalls a discussion about Barack Obama’s mother and her biography which emerged during the course of the American presidential elections in 2008. S. Ann Dunham was a cultural anthropologist holding a PhD from the University of Hawaii and specializing in Indonesian peasant blacksmithing and cottage industry. She passed away in 1995 relatively unknown to the American anthropological world and totally unknown to the American public. Interest in Obama’s family made Dunham and her biography as well as her anthropology appear publicly. Even though she was labeled an “uncaring mother,” who was to “abandon” small Barack, a biographical book by Janny Scott published in 2011 depicts a deep and complex portrait of Dunham which does not go along with popular opinions. It is interesting to observe how Dunham’s biography has been constructed and how her family history mirrors transformation of American society and reveals entanglement between private life and anthropological interests

The Yam Festival in Contemporary Ghana: Tradition Beyond Religious Boundaries

This article is based on ethnographic field research conducted in the central part of Ghana, in the Brong Ahafo region. It gives a description of two yam festivals performed in 2010 in the small town of Jema and the nearby village of Kokuma. The author depicts the meanings associated with yams in traditional indigenous cultures and vernacular religions in Ghana as well as within the broader region of the Gulf of Guinea. Contemporary yam festivals are interpreted in relation to the old symbolic and sacred meanings of the yam as “the king of crops” as well as in relation to the contemporary circumstances of African societies which are becoming modernised and less dependent on traditional agriculture. A special focus is placed on the position of chiefs, royal attributes (stools) and involvement of people from different religious backgrounds (Christians, Muslims, “traditionalists”). The concept of “sensational forms” proposed by Birgit Meyer is discussed in relation to yam festivals, which are treated here as performances generating a specific religious “style” shared by contemporary Ghanaians irrespective of their religious affiliations.