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Wprowadzenie: Bio-aktywne rumowisko historii cz. II. Jak zapamiętać zgliszcza?

Monika Stobiecka

Arts & Cultural Studies Review, Issue 2 (55) Bio-aktywne rumowisko historii cz. II, 2023, pp. 113 - 116

https://doi.org/10.4467/20843860PK.23.008.18374

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Rzeczy getta warszawskiego - rozmowa o sprawczości, materialności i witalności zabytków archeologicznych jako muzealiów

Monika Stobiecka

Arts & Cultural Studies Review, Issue 2 (55) Bio-aktywne rumowisko historii cz. II, 2023, pp. 176 - 190

https://doi.org/10.4467/20843860PK.23.012.18378

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Art or material culture? Introduction to the perception of archaeology in Polish collections and museums

Monika Stobiecka

Opuscula Musealia, Volume 24, Volume 24 (2016), pp. 159 - 172

https://doi.org/10.4467/20843852.OM.16.015.7448

The text aims at presenting the reflections in respect of the perception of archaeological objects on the Polish land in the 19th century by selected collectors, using the methodological tools typical for the “return to things”. Several approaches to archaeological objects occurred in the times of the classicist cult of antiquity and romanticist passion for a “fragment” or “ruins”. One referred to the aforesaid toposes connected with the idea of “antiquity” as to artefacts that accumulated the past, and formed objects of nostalgic longing for the ancient times. At the same time, the 19th century was a time of intense acquisition of historic objects originating from excavations, and forming of archaeology as a science with its particular research methodology. Expansive penetration of Italy, Greece, Egypt, and Middle East, or the development of national archaeologies in European countries in the era of romanticism resulted in the creation of huge and impressive collections presented in museums. The establishment of archaeology as an academic discipline contributed to the birth of another model of perception of artefacts – a scientific approach to objects that were explored during research. In the modern era, as well as at its very threshold, monuments started to grow in economic value, which is hardly appreciated while analysing collections. The present text is an attempt at providing an explanation of the marginalised issues in respect of perception of archaeological objects before the “era of museums” on the Polish land, and provides a reflection on how the 19th-century foundations of museums management contributed to the way archaeological objects are presented in contemporary museums.

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Witalność ruin w dobie antropocenu

Monika Stobiecka

Arts & Cultural Studies Review, Issue 4 (42), 2019, pp. 435 - 449

https://doi.org/10.4467/20843860PK.19.022.11918

The life among ruins is a well-known motif in the Polish urban, architectural and historical studies. The ruination, as a leit-motif, reappears now in a different setting – it is anymore connected solely to traditional heritage studies, but it stands as a real threat and challenge resulting from the Anthropocene condition. In this paper, the idea is to discuss the phenomenon of an intensified ruination as a sign of our, Anthropocene time, and further to confront it with a concurring concept of the Capitalocene and its meaning for critical heritage studies. While the first concept of the Anthropocene redirects our attention to new materialism, vitality and biological agency of material, cultural heritage, the other suggests a different approach and implications for heritage. The discussion on heritage in the Anthropocene and the Capitalocene will be illustrated by Alfred Seiland’s photographic series “Imperium Romanum”.

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Wprowadzenie: Bio-aktywne rumowisko historii

Monika Stobiecka

Arts & Cultural Studies Review, Issue 2 (52) Bio-aktywne rumowisko historii cz. I , 2022, pp. 187 - 195

https://doi.org/10.4467/20843860PK.22.013.16310

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Monika Stobiecka

Wydział „Artes Liberales” Uniwersytet Warszawski

Wydział „Artes Liberales” Uniwersytet Warszawski