Songs of Ecstatic Despair. Miłosz and the Counterculture
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Data publikacji: 02.08.2013
Przekładaniec, Numery anglojęzyczne, Issue 25/2011– Between Miłosz and Milosz, s. 147-157
https://doi.org/10.4467/16891864ePC.13.021.1210Autorzy
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Songs of Ecstatic Despair. Miłosz and the Counterculture
This article discusses the relationship between the American counterculture of the 1960s and Miłosz’s poetry created during that time in Berkeley. The poet observes the student revolt through his own experience with history, including his leftist sympathies. He is critical both of the naïve hippie postulates and Herbert Marcuse’s new version of Marxism. However, he treats counterculture as a symptomatic response to vital problems of the Western civilization in the second half of the twentieth century. He reflects upon the influence of art on power, totalitarian as well as democratic. He sees the necessity of commitment, though he asks about its form and effects. Countercultural experiments coincide also with Miłosz’s own search for “a more capacious form” and with the epiphanies described in his poems.
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Informacje: Przekładaniec, Numery anglojęzyczne, Issue 25/2011– Between Miłosz and Milosz, s. 147-157
Typ artykułu: Oryginalny artykuł naukowy
Publikacja: 02.08.2013
Status artykułu: Otwarte
Licencja: Żadna
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AngielskiLiczba wyświetleń: 2486
Liczba pobrań: 1940