Similar and differential aspects of the world representation in the works of Eugène Ionesco and Sławomir Mrożek
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RIS BIB ENDNOTERóżnice i podobieństwa koncepcji światopoglądowych w sztukach Eugène’a Ionesco i Sławomira Mrożka
Publication date: 18.10.2014
Culture Management, 2014, Volume 15, Issue 4, pp. 385-390
https://doi.org/10.4467/20843976zk.14.027.2318Authors
Różnice i podobieństwa koncepcji światopoglądowych w sztukach Eugène’a Ionesco i Sławomira Mrożka
Similar and differential aspects of the world representation in the works of Eugène Ionesco and Sławomir Mrożek
The goal of the paper is to compare the way two authors, S. Mrożek and E. Ionesco, perceive the world, and how that perspective is reflected in their plays. By analyzing some of their works, I will show the main differences and similarities that we can encounter, focusing on main themes. The whole essay is concentrated around the idea of death, which is clearly visible in the plays of both authors; however, each of them has a distinct approach to it, and I intend to point out that difference
M. Călinescu, Eugène Ionesco: teme identitare şi existenţiale, Iaşi 2006
J.H. Donnard, Ionesco dramaturge ou l’artisan et le démon, Paris 1966
B. Elvin, TeatruI–II, Bukareszt 1968
M.Esslin,TheTheatre of The Absurd, Londyn 1968
E. Ionesco, Nu,Bukareszt 2002
M.Maslowski,Sławomir Mrożek: Théâtre de l’absurde ou l’absurde comme théâtre, Paris 1988
Saint Tobi, Ionesco Ou Ala Recerchedu Paradis Perdu, Paris 1973
Information: Culture Management, 2014, Volume 15, Issue 4, pp. 385-390
Article type: Original article
Titles:
Różnice i podobieństwa koncepcji światopoglądowych w sztukach Eugène’a Ionesco i Sławomira Mrożka
Similar and differential aspects of the world representation in the works of Eugène Ionesco and Sławomir Mrożek
The University of Bucharest, Str. Edgar Quinet, nr. 5-7, Sector 1, Bucureşti, Romania
Published at: 18.10.2014
Article status: Open
Licence: None
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