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https://orcid.org/0000-0001-8641-923X

Afilliation

Jagiellonian University in Kraków, Gołębia 24, 31-007 Kraków, Poland

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Witold Gombrowicz we współczesnej Argentynie: ślady, artefakty, afekty

Aleksandra Naróg

Wielogłos, Issue 1 (59) 2024, 2024, pp. 87 - 108

https://doi.org/10.4467/2084395XWI.24.005.19473

The article describes the transcultural aspects and affective ways of perceiving the work of Witold Gombrowicz in contemporary Argentina. Source documents (such as the residence card documenting the writer’s arrival to Argentina) as well as pop- -cultural images of the writer in Argentinian culture, visual field, and urban space are investigated. According to Wolfgang Welsch, Gombrowicz’s transculturality is founded on placing himself between Polish and Argentinian cultures, based on “artifacts of memory.”

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„Wegetatywne i telluryczne ingrediencje”. Obraz wstrętu w opowiadaniach Sierpień i Pan Brunona Schulza

Aleksandra Naróg

Wielogłos, Issue 3 (29) 2016: Szymborska – po latach, 2016, pp. 93 - 112

https://doi.org/10.4467/2084395XWI.16.022.6406

This paper is an attempt to investigate two short stories by Bruno Schulz (August and Pan) in the context of repulsion. This phenomenon was presented as an esthetical, ontological and epistemological determinant of Modernist literature. The experience of disgust was interpreted according to the elements of theoretical thought by Julia Kristeva and Mary Douglas as well as the affective turn in the humanities. It was found out that repulsion may be analysed as the main part of „topography” of Schulz’s universe: one of its main principles, both forming and deconstructing its matter.

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