Covery – manifesty. Muzyczne strategie przezwyciężania kulturowej opresji
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RIS BIB ENDNOTECovery – manifesty. Muzyczne strategie przezwyciężania kulturowej opresji
Data publikacji: 10.2023
Przegląd Kulturoznawczy, 2023, Numer 3 (57) Muzyczne transgresje, inwersje, brikolaże. Kulturowe warianty muzyki popularnej, s. 293 - 307
https://doi.org/10.4467/20843860PK.23.021.18579Autorzy
Covery – manifesty. Muzyczne strategie przezwyciężania kulturowej opresji
In this article, I would like to focus on covers that reveal their strongly transgressive function, forcing the recipient to rethink and reinterpret the canon of popular music. Covers that I analyze in terms of music, text, image, etc., although they formally “reverse” only one specific song, become an opportunity to polemicize with the output of a given artist, the entire genre or style, or finally with the attitude and worldview represented by the original. Transgression on the aesthetic level is also accompanied by transgression on the level of sexual, class or racial identity. For the purposes of the article, the material will be limited to the covers from the 1970s (Ramblin’ Rose by Jerry Lee Lewis / MC5, Love Is Strange by Mickey & Sylvia / Trash by New York Dolls, Helter Skelter by The Beatles / Siouxsie and the Banshees), because in this period (on the basis of punk and post-punk music) similar practices were the most intense.
Muzyka
Frank Sinatra, My Way, SP, Reprise 1969.
Jerry Lee Lewis, Ramblin’ Rose, Sun Records 1962.
MC5, Kick Out the Jams, LP, Elektra Records 1969.
Mickey & Sylvia, Love Is Strange, SP, Groove 1956.
New York Dolls, New York Dolls, LP, Mercury Records 1973.
Sid Vicious, My Way, SP, Virgin Records 1978.
The Beatles, The Beatles, LP, Apple 1968.
Teksty
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Magnus P.D., A Philosophy of Cover Songs, Open Book Publishers, Cambridge 2022.
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Mosser K., Cover Songs: Ambiguity, Multivalence, Polysemy, „Popular Musicology Online” 2008, https://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1023&context=phl_fac_pub (dostęp: 7.07.2023).
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Spitznagel E., Sex, Drugs, and Drag, „Vanity Fair”, 3.03.2011, https://www.vanityfair.com/hollywood/2011/03/new-york-dolls (dostęp: 10.05.2023).
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Informacje: Przegląd Kulturoznawczy, 2023, Numer 3 (57) Muzyczne transgresje, inwersje, brikolaże. Kulturowe warianty muzyki popularnej, s. 293 - 307
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
Covery – manifesty. Muzyczne strategie przezwyciężania kulturowej opresji
Cover manifestos. Musical strategies to overcome cultural oppression
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
Publikacja: 10.2023
Status artykułu: Otwarte
Licencja: CC BY
Udział procentowy autorów:
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