Cahiers ERTA, Numéro 6 Nature morte, 2014, pp. 11 - 21
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https://doi.org/10.4467/23538953CE.14.013.3420Cahiers ERTA, Numéro 6 Nature morte, 2014, pp. 71 - 84
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https://doi.org/10.4467/23538953CE.14.015.3422Cahiers ERTA, Numéro 6 Nature morte, 2014, pp. 99 - 113
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https://doi.org/10.4467/23538953CE.14.021.3428Cahiers ERTA, Numéro 6 Nature morte, 2014, pp. 227 - 240
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https://doi.org/10.4467/23538953CE.14.023.3430Słowa kluczowe: hierarchy of the genres, demiurge, colorer, beautiful nature, nature, technology, sublime, Villiers, nineteenth century, modernity, literature, Deleuze (Gilles), Miller (Henry), Proust (Marcel), nature, contrast, silence, indifference, Camus, poetry, silence, shadow, geometry of light, still life, Paul Claudel, exegesis, hermeneutics, still life, stela, monument, ruin, metapoetic element, Philippe Jaccottet, still life, enigma, silence, vanity, still life, photography, poetry, drowned girl, Ophelia, cinema, still life, ruins, memories, heterotopia, still-life, vanitas, dinosaur, technothriller, paleontology, Michael Crichton, Catulle Mendès, French Wagnerism, novel with a key, Krysinska, errare, wandering, imagination, Nobécourt, semiotic, body art, skin