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Co nowego w „teatrze mowy”?

Publication date: 29.03.2018

Wielogłos, 2017, Issue 4 (34) 2017: Proza modernizmu, pp. 109 - 122

https://doi.org/10.4467/2084395XWI.17.030.8537

Authors

Anna Łebkowska
Uniwersytet Jagielloński w Krakowie, Wydział Polonistyki, Gołębia 16, 30-001 Kraków
https://orcid.org/0000-0002-3954-5388 Orcid
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Titles

Co nowego w „teatrze mowy”?

Abstract

What’s new in the theatre of speech?

In the paper dedicated to prof. Jerzy Jarzębski I deal with the transformations in ex- perimental narrative in contemporary prose, especially with ways of using pronouns and gender forms. I concentrate on the interpretation of novels written by Zbigniew Kruszyński, Olga Tokarczuk and Jacek Dukaj, whose shared main feature are the relocations of grammatical forms of the text. Mixed narrative forms (pronouns “we” and “you,” reflexives, transformations of the neuter gender etc.) open new possibilities of worldview and self-identity.
 

References


Information

Information: Wielogłos, 2017, Issue 4 (34) 2017: Proza modernizmu, pp. 109 - 122

Article type: Original article

Titles:

Polish:

Co nowego w „teatrze mowy”?

English:

What’s new in the theatre of speech?

Authors

https://orcid.org/0000-0002-3954-5388

Anna Łebkowska
Uniwersytet Jagielloński w Krakowie, Wydział Polonistyki, Gołębia 16, 30-001 Kraków
https://orcid.org/0000-0002-3954-5388 Orcid
All publications →

Uniwersytet Jagielloński w Krakowie, Wydział Polonistyki, Gołębia 16, 30-001 Kraków

Published at: 29.03.2018

Article status: Open

Licence: CC BY-NC-ND  licence icon

Percentage share of authors:

Anna Łebkowska (Author) - 100%

Article corrections:

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Publication languages:

Polish

View count: 1365

Number of downloads: 1114

<p> What’s new in the theatre of speech?</p>