„Tylko to, co najlepsze, jest dość dobre dla dzieci”, czyli o dylematach tłumacza literatury dziecięcej
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RIS BIB ENDNOTE„Tylko to, co najlepsze, jest dość dobre dla dzieci”, czyli o dylematach tłumacza literatury dziecięcej
Publication date: 2011
Przekładaniec, 2009, Issue 22-23 – Baśń w przekładzie, pp. 259 - 282
Authors
„Tylko to, co najlepsze, jest dość dobre dla dzieci”, czyli o dylematach tłumacza literatury dziecięcej
“Nothing but the best is good enough for the young.” Dilemmas of the Translator of Children’s Literature
No doubt the world without Winnie the Pooh, Pippi Longstocking, Pinocchio or
Moomin Trolls would be less colourful. Characters from fairy tales imperceptibly
slip into young readers’ minds and tend to stay there forever. Children accept them
unconditionally and do not ask questions about their descent. Children’s response
to books is usually very spontaneous: a love at fi rst sight or an immediate dislike.
Therefore, it is very important that they receive “the best” – not only beautiful and wise
books but also book that are skillfully translated. Discussing the role of the translator of
children’s literature, this article focuses on such issues as child–translator relation and translator–author dichotomy. It points to different attitudes toward the translator’s
creativity and “visibility.” It examines terminological ambiguities of such notions as
“adaptation,” “reconstruction,” “rewriting” and “translation.” Finally, it deals with
translation challenges that arise from didactic, entertaining and aesthetic functions of
children’s books.
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Information: Przekładaniec, 2009, Issue 22-23 – Baśń w przekładzie, pp. 259 - 282
Article type: Original article
Titles:
„Tylko to, co najlepsze, jest dość dobre dla dzieci”, czyli o dylematach tłumacza literatury dziecięcej
„Tylko to, co najlepsze, jest dość dobre dla dzieci”, czyli o dylematach tłumacza literatury dziecięcej
University of Lodz, Poland, ul. Narutowicza 65, 90-131 Łódź
Published at: 2011
Article status: Open
Licence: None
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