Based on an analysis of phonetic, lexical and pragmatic (linguistic politeness) aspects of the symbolic sequence outside the church in Chełmno-on-Ner in Claude Lanzmann’s Shoah, this article offers insights into the communicative situation portrayed in the film, which has not been discussed in existing interpretations. It addresses the relations between the participants of the exchange (the film director, Szymon Srebrnik, the interpreter, the inhabitants of Chełmno), the time and space (a religious service taking place in the church), and historical context: Poland under communist rule, where the Holocaust was not spoken about and/or was subject to manipulation.

Translated by Zofia Ziemann

Based on an analysis of phonetic, lexical and pragmatic (linguistic politeness) aspects of the symbolic sequence outside the church in Chełmno-on-Ner in Claude Lanzmann’s Shoah, this article offers insights into the communicative situation portrayed in the film, which has not been discussed in existing interpretations. It addresses the relations between the participants of the exchange (the film director, Szymon Srebrnik, the interpreter, the inhabitants of Chełmno), the time and space (a religious service taking place in the church), and historical context: Poland under communist rule, where the Holocaust was not spoken about and/or was subject to manipulation.