Michał Zając
Schedae Informaticae, Volume 27, 2018, pp. 155-164
https://doi.org/10.4467/20838476SI.18.012.10417Neural networks are prone to adversarial attacks. In general, such attacks deteriorate the quality of the input by either slightly modifying most of its pixels, or by occluding it with a patch. In this paper, we propose a method that keeps the image unchanged and only adds an adversarial framing on the border of the image. We show empirically that our method is able to successfully attack state-of-the-art methods on both image and video classification problems. Notably, the proposed method results in a universal attack which is very fast at test time.
Michał Zając
Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 587-598
https://doi.org/10.4467/23531991KK.21.049.15200The article presents the interpretation of Henryk Sienkiewicz’s Janko the Musician and Maria Kuncewiczowa’s The Stranger, having chosen as the central analytic and interpretational concept the desire, which in case of both characters is centred around music and violin that symbolises and embodies it. Identified and acknowledged desire plays a key role in the transition from the Oedipus complex and creates the base for the development of human subjectivity. Music (being art) enables the expression and formation of that subjectivity.