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“The city of paper” re-written. The city of Trieste in Claudio Magris’ Microcosms against the tradition of twentieth-century Triestine literature

Data publikacji: 28.11.2016

Romanica Cracoviensia, Tom 16 (2016), Tom 16, Numer 3, s. 179 - 187

https://doi.org/10.4467/20843917RC.16.016.5937

Autorzy

Natalia Chwaja
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
Wszystkie publikacje autora →

Abstrakt

The paper briefly presents the main stages of the development of the Triestine literary tradition, which phenomenon begins to be widely noticed already in the 1930s. At that time, the first generation of a new Triestine literature (with its main pioneers – Italo Svevo, Scipio Slataper, Umberto Saba) became an interesting object of study for those critics and scholars who were able to distinguish some of its essential features. Subsequently, the author focuses on the idea of Triestine identity presented by a contemporary Italian writer Claudio Magris in a book entitled Trieste. Un’identità di frontiera. Then, the author proposes her interpretation of Magris’ novel Microcosms, presenting it as the most significant attempt of expressing both writer’s and city’s Triestine identity; a portrayal of the city of paper re-written in the language and style of an essayistic, autobiographical novel.
 

Bibliografia

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MagrisClaudio,1999,Microcosms, trans. Iain Halliday, London: Random House.

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Informacje

Informacje: Romanica Cracoviensia, Tom 16 (2016), s. 179 - 187

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Angielski:

“The city of paper” re-written. The city of Trieste in Claudio Magris’ Microcosms against the tradition of twentieth-century Triestine literature

Autorzy

Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków

Publikacja: 28.11.2016

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Natalia Chwaja (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski

Liczba wyświetleń: 1605

Liczba pobrań: 1124