Antoni, R., Divina Trace, London: Robin Clark, 1991.

Armstrong, J., “Anti-Novels Built from Scraps”,in: idem, Experimental Fiction: An Introduction for Readers and Writers, London–New York: Bloomsbury Academic, 2014.

Bouchardon, S., “Figures of Gestural Manipulation in Digital Fictions”,in: A. Bell, A. Ensslin, H.K. Rustad (eds.), Analyzing Digital Fiction, New York: Routledge, 2014.

Bray, J., Gibbons, A. (eds.), Mark Z. Danielewski, Manchester–New York: Manchester University Press, 2011.

Celiński, P., Interfejsy. Cyfrowe technologie w komunikowaniu, Wydawnictwo Uniwersytetu Wrocławskiego, Wrocław 2010.

Emerson, L., Reading Writing Interfaces: From the Digital to the Bookbound, Minneapolis–London: University of Minnesota Press, 2014.

Frank, P., “Concrete Conquest: Eviva Visiva”, in: C. Hill, N. Vassilakis (eds.), The Last Vispo Anthology: Visual Poetry 1998-2008, Seattle: Fantagraphics Books, 2012.

Głombiowski, K., Książka w procesie komunikacji społecznej, Wrocław: Zakład Narodowy im. Ossolińskich, 1980.

Hansen, M.B.N., “Print Interface to Time: Only Revolutions at the Crossroads of Narrative and History”, in: J. Bray, A. Gibbons (eds.), Mark Z. Danielewski, Manchester–New York: Manchester University Press, 2011.

Hardin, M., “Drag Writing/Drag Reading: The Slippery Pen(is) of Milorad Pavic”, in: idem, Playing the Reader: The Homoerotics of Self-Reflexive Fiction, New York: Peter Lang Publishing, 2000.

Herz, J.C., “GAME THEORY. Bringing Extra Passion to a Fine Romance”, New York Times, 20.08.1998, http://www.nytimes.com/1998/08/20/technology/game-theory-bringing-extra-passion-to-a-fine-romance.html.

Husárová, Z., Montfort, N., Shuffle Literature and the Hand of Fate, http://www.electronicbookreview.com/thread/electropoetics/shuffled [accessed 2016-05-30].

Levy, S., Amazon: Reinventing the Book, http://europe.newsweek.com/amazon-reinventing-book-96909?rm=eu [accessed 2015-09-11].

Mathews, H., Brotchie, A. (eds.),Oulipo Compendium, London: Atlas Press, 2005.

Pavić, M., Beginning and the End of the Novel, http://www.khazars.com/en/biografija-milorad-pavic/pocetak-i-kraj-romana [accessed 2016-01-07].

Pavić, M., For Ever and a Day: A Theatre Menu, transl. Ch. Pribićević-Zorić,Beograd: Dereta, 1997.

Pavić, M., Landscape Painted with Tea, transl. Ch. Pribićević-Zorić, New York: Alfred A. Knopf, 1990.

Pavić, M., Unique item, Delta novel with a hundred endings, transl. D. Rajkov, Belgrade: Dereta, 2005.

Porczak, A., “Sztuka przesunięta. Shiftart”,in: M. Juda (ed.), Akademia 2007+, Katowice: Akademia Sztuk Pięknych, 2009.

Przybyszewska, A., “Lit(b)erariness between the book, the page and the screen – on “Between Page and Screen” by Amaranth Borsuk and Brad Bouse”,in: eadem, Liberackość dzieła literackiego, Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2015.

Przybyszewska, A., “O domniemanym zwrocie interfejsologicznym w literaturoznawstwie (kilka wstępnych rozpoznań)”, in: E. Szczęsna (ed.), Między dyskursami, sztukami, mediami. Komparatystyka jutra, Kraków: Universitas, 2017.

Starre, A., Metamedia: American Book Fictions and Literary Print Culture after Digitalization, Iowa City: University of Iowa Press, 2015.

Strehovec, J., “The E-Literary Text as an Instrument and Ride: Novel Forms of Digital Literature and the Expanded Concept of Reading”, in: M. Cornis-Pope (ed.), New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, Crossing Genres, Amsterdam–Philadelphia: John Benjamins Publishing, 2014.