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Tonally moving forms – Peter Kivy and Eduard Hanslick’s ‘enhanced formalism’

Data publikacji: 2017

Principia, 2016, Tom 63, s. 5 - 35

https://doi.org/10.4467/20843887PI.16.001.7640

Autorzy

Alexander Wilfing
Instytut Historii Sztuki i Muzyki Austriackiej Akademii Nauk w Wiedniu
https://orcid.org/0000-0002-0117-3574 Orcid
Wszystkie publikacje autora →

Tytuły

Tonally moving forms – Peter Kivy and Eduard Hanslick’s ‘enhanced formalism’

Abstrakt

In this paper, I argue for an implicit version of ‘enhanced formalism’ in Eduard Hanslick’s aesthetics, usually misread as ‘extreme’ formalism devoid of any positive account of emotion and music. I outline ‘enhanced formalism’ in its contemporary incarnations (Davies, Kivy), explore certain common features with Hanslick’s approach, and finally explain why Hanslick ultimately abandoned the concept of expressive properties as intrinsic properties of musical structure as the basis of objective aesthetics.

Keywords: Eduard Hanslick, Peter Kivy, musical aesthetics, enhanced formalism, music and emotion

Ruchome formy dźwiękowe – Peter Kivy i „ulepszony formalizm” Eduarda Hanslicka

W artykule staram się pokazać, że w estetyce Eduarda Hanslicka, zwykle błędnie odczytywanej jako skrajny formalizm pozbawiony jakiegokolwiek pozytywnego opisu emocji w muzyce, implicite zawarty jest „ulepszony formalizm”. Przedstawiam „ulepszony formalizm” w jego dzisiejszych wersjach (Davies, Kivy), badam jego wspólne cechy z podejściem Hanslicka i na koniec wyjaśniam, dlaczego koncepcja własności ekspresywnych jako inherentnych własności struktury muzycznej została przez Hanslicka ostatecznie porzucona.

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Informacje

Informacje: Principia, 2016, Tom 63, s. 5 - 35

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Tonally moving forms – Peter Kivy and Eduard Hanslick’s ‘enhanced formalism’

Angielski:

Tonally moving forms – Peter Kivy and Eduard Hanslick’s ‘enhanced formalism’

Autorzy

https://orcid.org/0000-0002-0117-3574

Alexander Wilfing
Instytut Historii Sztuki i Muzyki Austriackiej Akademii Nauk w Wiedniu
https://orcid.org/0000-0002-0117-3574 Orcid
Wszystkie publikacje autora →

Instytut Historii Sztuki i Muzyki Austriackiej Akademii Nauk w Wiedniu

Publikacja: 2017

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Alexander Wilfing (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski