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Adaptacja chińskich hieroglifów w Japonii a kultura przekładu

Data publikacji: 18.01.2017

Gdańskie Studia Azji Wschodniej, 2016, Zeszyt 10, s. 58 - 65

https://doi.org/10.4467/23538724GS.16.016.6173

Autorzy

Isamu Yamada
Kagawa University, Japan
Wszystkie publikacje autora →

Tytuły

Adaptacja chińskich hieroglifów w Japonii a kultura przekładu

Abstrakt

In the third century one part of elite of the ancient Japanese society adopted Chinese writing and began to learn it. It is assumed that at the beginning Japanese read Chinese characters following the sound patterns of the ancient Japanese language approximating the Chinese sounds. However, Japanese sounds applied the Chinese characters, and at the same time the word order was changed into Japanese word order. This was the beginning of kanbun kundoku, or Chinese writing with Japanese readings. The term ‘Japanese readings’ is used here in the sense of both: to read each individual character as a Chinese character, or, to read them replacing the word order of Chinese writing into a Japanese translation.
When Chinese characters were adopted for use in Japan, they were at first read as Chinese sounds with a Japanese pronunciation approximating that of the Chinese reading. Thereafter, this type of Japanese translation for individual readings of Chinese characters known as ‘kundoku’ began. ‘Kundoku’ (reading characters with their Chinese pronunciations) is still used today along with ‘ondoku’ for reading Chinese characters used in Japanese, i.e. in ‘kanbun kundoku’.
This first reading is important in the history of modern Japanese translation. The reason is that when Japanese first encountered western languages, this method of Chinese translation readings was used for English translation, French translation, and so on. In short, Japanese people created another style of written Japanese for translation, dating back to Chinese writing system, apart from the traditional ancient Japanese language system.
In Japan, however, after Chinese characters were introduced from China, Japanese created a style of native Japanese readings. Japanese translators have translated naturally according to their own logic and style.

Bibliografia

Pobierz bibliografię

L. Bloomfield, Language, New York 1933.

J. Tubielewicz, Historia Japonii, Wrocław 1984

Arai Hakuseki, Seiyō Kibun (西洋記聞), Tōkyō-to 1936.

Iwanami Shoten, Nihongo no rekishi,vol. 2, Tōkyō 1963

Komatsu Shigemi,Kana, Tōkyō 1968

Otsuki Gentaku, Rangaku Kaitei, vol. 1, Tōkyō 2000

Susumu Ōno, Iwanami koza: Nihongo, vol. 1, Tōkyō 1976

SusumuŌno,Nihongo no bunpō o kangaeru, Tōkyō 1978

Takao Suzuki, Tozasareta gengo,Nihongo no Seki, Tōkyō 1975

Tanizaki Jun’ichirō, Bunshō tokuhon,Tōkyō 1996

Yamagishi Akira, Nihon go Honyakuron, Tōkyō 2010

J. Munday, Introducing Translation Studies, Routledge 2008.

Informacje

Informacje: Gdańskie Studia Azji Wschodniej, 2016, Zeszyt 10, s. 58 - 65

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Adaptacja chińskich hieroglifów w Japonii a kultura przekładu

Angielski:

Acceptance of Chinese Characters in Japan and the culture of translation

Autorzy

Kagawa University, Japan

Publikacja: 18.01.2017

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Isamu Yamada (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Polski

Liczba wyświetleń: 1838

Liczba pobrań: 1539

<p> Adaptacja chińskich hieroglifów w Japonii a kultura przekładu</p>