“Sherlock”. Fandom Games and the Employment of the Convergent Media Potential
cytuj
pobierz pliki
RIS BIB ENDNOTEChoose format
RIS BIB ENDNOTE„Sherlock”. Gry z fandomem i wykorzystanie potencjału konwergencji
Publication date: 29.06.2016
Media Research Issues, 2016, Volume 59, Issue 1 (225), pp. 197 - 211
https://doi.org/10.4467/2299-6362PZ.16.014.5191Authors
„Sherlock”. Gry z fandomem i wykorzystanie potencjału konwergencji
“Sherlock”. Fandom Games and the Employment of the Convergent Media Potential
The British tv mini-series “Sherlock” has become nowadays the complex transmedia narrative, utilizing different media and engaging its fandom to the intense creative actions and the processes of the collective construction of knowledge. The lengthy production process and the particular distribution strategy (with the two-year gaps between the seasons) force the showrunners to develop various production and communication strategies so as to maintain the viewers’ involvement with the series during “the hiatuses”. To this purpose, different forms of communication with fandom are applied, together with the skillful use of the potential of the convergence processes in media.
Dowell B. (2016). Sherlock: The Abominable Bride is the most watched programme across all channels over the festive period with 11.6m viewers. RadioTimes, 10.01.2016 [http://www.radiotimes.com/news/2016-01-10/sherlock-the-abominable-bride-is-the-most-watched-programme-across-all-channels-over-the-festive-period-with-116m-viewers; 11.01.2016].
Frankel V. E. (2014). Sherlock: Every Canon Reference You May Have Missed in BBC Series. LitCrit Press.
Goodman T. (2012). TCA 2012: It’s PBS’ Time to Shine (Analysis). The Hollywood Reporter, 22.07.2012 [http://www.hollywoodreporter.com/bastard-machine/pbs-downton-abbey-sherlock-emmys-352843; 11.01.2016].
Gripsrud J. (1999) (red.). Television and Common Knowledge. New York.
Hills M. (2017). Sherlock: Detecting Quality Television. London.
Horowitz B. (2006). Creators, Synthesizers, and Consumers [http://blog.elatable.com/2006/02/creators-synthesizers-and-consumers.html; 11.01.2016].
Lee B. (2016). There’s no stopping Sherlock: “The Abominable Bride” tops China’s box office [http://www.digitalspy.com/tv/sherlock/news/a778890/theres-no-stopping-sherlock-the-abominable-bride-tops-chinas-box-office/; 11.01.2016].
McLaughlin R. (2013). A Study in Sherlock: Revisiting the Relationship between Sherlock Holmes and Dr. John Watson. Bridgewater [http://vc.bridgew.edu/cgi/viewcontent.cgi?article=1015&context=honors_proj.; 11.01.2016].
Nielsen J. (2006). The 90-9-1 Rule for Participation Inequality in Social Media and Online Communities [http://www.nngroup.com/articles/participation-inequality/; 11.01.2016].
Stein L.E., Buse K. (2014). Sherlock and Transmedia Fandom. Essays on the BBC Series. London.
Porter L. (2012). Sherlock Holmes for the XXI Century: Essays on New Adaptations. London.
Tartaglione N. (2016). ‘Sherlock’ Special Debuts Atop Chinese Box Office as Theatrical Rollout Builds [http://deadline.com/2016/01/sherlock-china-korea-uk-box-office-
1201676048/; 11.01.2016].
Information: Media Research Issues, 2016, Volume 59, Issue 1 (225), pp. 197 - 211
Article type: Original article
Titles:
„Sherlock”. Gry z fandomem i wykorzystanie potencjału konwergencji
“Sherlock”. Fandom Games and the Employment of the Convergent Media Potential
Jagiellonian University in Kraków, Gołębia 24, 31-007 Kraków, Poland
Published at: 29.06.2016
Article status: Open
Licence: None
Percentage share of authors:
Article corrections:
-Publication languages:
PolishView count: 1771
Number of downloads: 1103