Bunk’Art Exhibitions in Tirana in the Context of A lbanian Politics of Memory
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RIS BIB ENDNOTEBunk’Art Exhibitions in Tirana in the Context of A lbanian Politics of Memory
Publication date: 22.06.2020
Central European and Balkan Studies, 2020, Tom XXIX, pp. 153 - 168
https://doi.org/10.4467/2543733XSSB.20.011.12198Authors
Ekspozycje Bunk’Art w Tiranie w kontekście albańskiej polityki pamięci
Bunk’Art Exhibitions in Tirana in the Context of A lbanian Politics of Memory
The text examines how the Bunk’Art 1 and Bunk’Art 2 exhibitions, opened in 2014–2016 in Tirana fit in the main narrative trends of the Albanian memory of the communist past. The project of the Italian journalist Carlo Bollino has become one of the key elements of the new policy of socialist memory of the government of Edi Rama, and at the same time an attempt to create modern cultural institutions in the old atomic bunkers from the time of Enver Hoxha, in which history becomes a space dominated by artists and journalists, and at the same time competitive towards professional histori ans
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Information: Central European and Balkan Studies, 2020, Tom XXIX, pp. 153 - 168
Article type: Original article
Titles:
Ekspozycje Bunk’Art w Tiranie w kontekście albańskiej polityki pamięci
Bunk’Art Exhibitions in Tirana in the Context of A lbanian Politics of Memory
Jagiellonian University in Kraków, Gołębia 24, 31-007 Kraków, Poland
Published at: 22.06.2020
Article status: Open
Licence: CC BY-NC-ND
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