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Publication date: 22.01.2016
Technical Transactions, 2015, Architecture Issue 4-A (4) 2015, pp. 59-65
https://doi.org/10.4467/2353737XCT.15.283.4686Authors
Seen from Siena
The article discusses a series of paintings, on a vision of a modern city, inspired by the author’s recent visit to Siena, Italy. It describes an importance of architectural visions and its complementary role in relation to an architectural practice. The article presents the author’s experiences with the process of painting. It highlights the role of a quick sketch in the process of selecting and analysing a subject. Finally, it showsthe unique importance of traditional painting techniques in a realization of the subject, impossible to be replaced by a digital visualization.
[1] Baldacci P., De Chirico. The Metaphysical Period 1880‒1919, Boston–New York–Toronto– London 1997.
[2] Choate C., Architectural Presentation in Opaque Watercolor. Theory and Technique, New York 1961.
[3] Baehr R.C., Architectural Rendering In Tempera, New York 1995.
[4] Nissen S., Leret V., Rene Gruau’s first century, Paris 2009.
Information: Technical Transactions, 2015, Architecture Issue 4-A (4) 2015, pp. 59-65
Article type: Original article
Titles:
Seen from Siena
Seen from Siena
Division of Drawing, Painting and Sculpture, Faculty of Architecture, Cracow University of Technology
Published at: 22.01.2016
Article status: Open
Licence: CC BY
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English