Can similarities be found in the cults of prehistoric hunters and farmers? Analysis of ‘dance’ scenes of four beings of the Mesolithic from Alta, Finnmark, Norway, and of the beginning of the Eneolithic from Střelice, southwestern Moravia, Czech Republic
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RIS BIB ENDNOTECan similarities be found in the cults of prehistoric hunters and farmers? Analysis of ‘dance’ scenes of four beings of the Mesolithic from Alta, Finnmark, Norway, and of the beginning of the Eneolithic from Střelice, southwestern Moravia, Czech Republic
Publication date: 2021
Acta Archaeologica Carpathica, 2021, Vol LVI, pp. 103 - 152
https://doi.org/10.4467/00015229AAC.21.005.15346Authors
Can similarities be found in the cults of prehistoric hunters and farmers? Analysis of ‘dance’ scenes of four beings of the Mesolithic from Alta, Finnmark, Norway, and of the beginning of the Eneolithic from Střelice, southwestern Moravia, Czech Republic
The ways of life of hunters, fishers and gatherers are noticeably different from those of farmers. Surviving evidence of their cultures is very rare. Although we are aware that it is very difficult to interpret and compare them, sometimes external similarities can be observed, such as in the depiction of human figures, particularly female figurines (also in zoomorphic sculptures) in the Upper Palaeolithic (‘the Cult of Hunters’) and in the Neolithic (‘Field Fertility Cult’ and ‘Domestic Animals Fertility Cult’). The depiction of a woman and three men with their arms stretched upwards on a famous vase of Moravian – East-Austrian group, Phase MOG IIa (around 4525–4375 BC) of the Painted Pottery culture from Střelice in the Czech Republic is significant, and has been interpreted by the author as an example of hieros gamos (i.e. a dialogue with space). This vase has considerable similarity with a petroglyph of a circular dance, again obviously depicting a woman and three men holding hands, from Alta in northern Norway, one of the central ‘galleries’ of hunters (5 stages, the oldest being 5300 BC). We can only assume (with just a certain amount of probability) that they depict a story (rite or myth?) in the form of a ‘language of symbols’ (e.g. a restoration of ‘Mother Earth’).
Information: Acta Archaeologica Carpathica, 2021, Vol LVI, pp. 103 - 152
Article type: Original article
Department of Archaeology, Philosophical Faculty, University of Hradec Králové, Rokitanského 62, 500 03 Hradec Králové, Czech Republic
Published at: 2021
Article status: Open
Licence: CC BY-NC-ND
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