Wacław Rapak
Romanica Cracoviensia, Special Issue (2022), Volume 22 (2022), pp. 389 - 391
https://doi.org/10.4467/20843917RC.22.035.16689Wacław Rapak
Romanica Cracoviensia, Special Issue (2022), Volume 22 (2022), pp. 431 - 437
https://doi.org/10.4467/20843917RC.22.039.16693The following text takes up the problem of modernity in its canonical formulation proposed in 1863 by Charles Baudelaire in his important essay entitled Le peintre de la vie moderne. The author of the article tries to show the basic framework of this concept with the definition of modernity itself and the category of beauty, remaining at Baudelaire’s conception in natural connection with it. The author highlights the importance of Baudelaire’s earlier views and the influence that the Paris World Exhibition of 1855 had on him.
* C’est à cette modernité que je reviens dans le présent article une fois encore pour y apporter quelques nuances.
Wacław Rapak
Cahiers ERTA, Numéro 39, 2024, pp. 159 - 173
https://doi.org/10.4467/23538953CE.24.016.20191Wacław Rapak
Romanica Cracoviensia, Volume 16, Issue 4, Volume 16 (2016), pp. 265 - 273
https://doi.org/10.4467/20843917RC.16.024.6295Ways, Voices and Rhythms in Henri Michaux’s Oeuvre
The article analyzes the fundamental categories of Henri Michaux’s writing: way (voie) refers to the complexity of space aspects in the textual worlds, voice (voix) problematizes the issue of these worlds’ construction and the notion of literality of the subject, and rhythm (rythme) deals with the problem of the poetics of experience as the crucial point of Michaux’s oeuvre.