Gherasim Luca’s short prose: The objects of prey (first chapter)
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RIS BIB ENDNOTEGherasim Luca’s short prose: The objects of prey (first chapter)
Data publikacji: 30.11.2020
Romanica Cracoviensia, Tom 20 (2020), Tom 20, Numer 3, s. 167 - 174
https://doi.org/10.4467/20843917RC.20.016.12938Autorzy
Gherasim Luca’s short prose: The objects of prey (first chapter)
The paper continues “object-oriented” analysis of the most inspiring experiments in the Romanian Surrealism’s repertoire, notably in the short stories by Gherasim Luca, one of the movement’s leading representatives. His two books of poetic prose, published originally in the 1940s, could be interpreted as the emblematic example of Surrealist revolutionary tendencies in the field of new materialism. Such texts as The Kleptobject Sleeps or The Rubber Coffee become the laboratory of the object itself, gaining a new, unlimited identity in the platform of Surreality, where the human-like subject loses its status. Objects possess quasi-occult powers to initiate and control human’s desires. Therefore, Breton’s “revolution of the object” could concretize as literary praxis showing the way how contemporary “materialist turn” in anthropology deals with avant-garde theories.
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Informacje: Romanica Cracoviensia, Tom 20 (2020), Tom 20, Numer 3, s. 167 - 174
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
Gherasim Luca’s short prose: The objects of prey (first chapter)
Gherasim Luca’s short prose: The objects of prey (first chapter)
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
Publikacja: 30.11.2020
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
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