Videosyntezy. Cartographies of the analog turn exemplified by the Tribute to Stan Ostoja-Kotkowski project.

Małgorzata Dancewicz-Pawlik

Videosyntezy. Cartographies of the analog turn exemplified by the Tribute to Stan Ostoja-Kotkowski project.

Data publikacji: 03.2025

Przegląd Kulturoznawczy, 2025 (First View), Numer 1 (63),

Autorzy

Tytuły

Videosyntezy. Cartographies of the analog turn exemplified by the Tribute to Stan Ostoja-Kotkowski project.

Abstrakt

Video synthesis is a method of producing images using a video synthesizer that can generate images without any external input, such as a camera. It was developed mainly in the sixties in the United States by artists such as Steve Rutt, Bill Etra, Daniel Sandin, Robert Moog, Steina and Woody Vasulka, Nam June Paik and many others. What is important about this technology is its immediate performative nature, subversive use, and synesthetic dimension. Images and sounds have the same source, electromagnetic waves, and are created because of live interaction with the machine (video synthesizer). The article, which was supposed to be a kind of curatorial notes, is an attempt to show some cartographies of methods of media archaeology practices, using the example of the Tribute to Stan Ostoja-Kotkowski project presented during Vidoesyntezy exhibition.

Słowa kluczowe

video synthesis, analog media, media an-archeology, re-performance, media cartographie

Informacje

Informacje: Przegląd Kulturoznawczy, 2025 (First View), Numer 1 (63),

Typ artykułu: Oryginalny artykuł naukowy

Autorzy

Małgorzata Dancewicz-Pawlik

Publikacja: 03.2025

Status artykułu: Otwarte

Licencja: CC BY

Udział procentowy autorów:

Małgorzata Dancewicz-Pawlik (Autor) - 100%

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Języki publikacji:

Angielski

Liczba wyświetleń: 23

Liczba pobrań: 0

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