(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science
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RIS BIB ENDNOTE(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science
Data publikacji: 2020
Przegląd Kulturoznawczy, 2020, Numer 2 (44), s. 40 - 53
https://doi.org/10.4467/20843860PK.20.013.12377Autorzy
(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science
The essay critically discusses the use of remote sensing technologies in contemporary media art and sciences. It undertakes a thorough analysis of Tropics, the award-winning work of the French artist Mathilde Lavenne. The artist used lidar scanning to visualize the stories and memories gathered from interviews with inhabitants of the Mexican town Jicaltepec, who are mostly descendants of the French settlers-colonizers. Through the use of apparatus designed for architectural and geodetic purposes, along with its scientific and commercial contexts, questions arise about the relations between modern technoculture, nature, cultural memory, and overlapping colonial logic, in knowledge production and the micropolitics of affects management.
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Graf V., Interview with Mathilde Lavenne. TROPICS: The Golden Nica of Computer Animation 2018, https://ars.electronica.art/aeblog/en/2018/08/31/tropics/ (accessed: 12.02.2020).
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Film
TROPICS, dir. M. Lavenne, prod. Jonas Films, 2018.
Informacje: Przegląd Kulturoznawczy, 2020, Numer 2 (44), s. 40 - 53
Typ artykułu: Oryginalny artykuł naukowy
Tytuły:
(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science
(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science
Uniwersytet im. Adama Mickiewicza w Poznaniu
Publikacja: 2020
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
Udział procentowy autorów:
Korekty artykułu:
-Języki publikacji:
AngielskiLiczba wyświetleń: 1033
Liczba pobrań: 877