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(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science

Data publikacji: 2020

Przegląd Kulturoznawczy, 2020, Numer 2 (44), s. 40 - 53

https://doi.org/10.4467/20843860PK.20.013.12377

Autorzy

Agnieszka Jelewska
Uniwersytet im. Adama Mickiewicza w Poznaniu
https://orcid.org/0000-0003-2109-7545 Orcid
Wszystkie publikacje autora →

Tytuły

(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science

Abstrakt

The essay critically discusses the use of remote sensing technologies in contemporary media art and sciences. It undertakes a thorough analysis of Tropics, the award-winning work of the French artist Mathilde Lavenne. The artist used lidar scanning to visualize the stories and memories gathered from interviews with inhabitants of the Mexican town Jicaltepec, who are mostly descendants of the French settlers-colonizers. Through the use of apparatus designed for architectural and geodetic purposes, along with its scientific and commercial contexts, questions arise about the relations between modern technoculture, nature, cultural memory, and overlapping colonial logic, in knowledge production and the micropolitics of affects management.

Bibliografia

Althusser L., Ideology and Ideological State of Apparatus, in: Critical Theory since 1965, trans. B. Brewster, eds. H. Adams, L. Searle, University Press of Florida, Tallahassee 1986, pp. 239–252.

Amaro R., As If. Becoming Digital, “e-flux”, https://www.e-flux.com/architecture/becoming-digital/248073/as-if/ (accessed: 15.02.2020).

Canuto M.A., Estrada-Belli F., Garrison T.G. et al., Ancient Lowland Maya Complexity as Revealed by Airborne Laser Scanning of Northern Guatemala, “Science” 2018, 28 September, vol. 361, issue 6409, DOI 10.1126/science.aau0137 (accessed: 12.02.2020).

Cofield C., 3D Laser Scanner Makes Haunting Works of Art, “Live Science” 2015, 24 February, https://www.livescience.com/49920-lidar-technology-works-of-art.html (accessed: 2.02.2020).

Gabrys J., Program Earth: Environmental Sensing Technologies and the Making of Computational Planet, University of Minnesota Press, Minneapolis 2016.

Graf V., Interview with Mathilde Lavenne. TROPICS: The Golden Nica of Computer Animation 2018, https://ars.electronica.art/aeblog/en/2018/08/31/tropics/ (accessed: 12.02.2020).

Lavenne M., TROPICS, official artist’s website, https://www.mathildelavenne.com/t-r-o-p-i--c-s/ (accessed: 12.02.2020).

Massumi B., Of Microperception and Micropolitics. Interview with Joel McKim, in: idem, Politics of Affect, Polity Press, Cambridge 2015, pp. 47–83.

Parikka J., A Geology of Media, University of Minnesota Press, Minneapolis 2015.

Skerritt D., A Negotiated Ethnic Identity: San Rafael. A French Community on the Mexican Gulf Coast (1833–1930), “Cahiers des sciences humaines” 1994, no. 30(3), pp. 455–474.

Yussof K., A Billion Black Anthropocenes or None, University of Minnesota Press, Minneapolis 2018.

Film

TROPICS, dir. M. Lavenne, prod. Jonas Films, 2018.

Informacje

Informacje: Przegląd Kulturoznawczy, 2020, Numer 2 (44), s. 40 - 53

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science

Angielski:

(Post)colonial Sensations. Remote Sensing Technologies and Cultural Memory in Art and Science

Autorzy

https://orcid.org/0000-0003-2109-7545

Agnieszka Jelewska
Uniwersytet im. Adama Mickiewicza w Poznaniu
https://orcid.org/0000-0003-2109-7545 Orcid
Wszystkie publikacje autora →

Uniwersytet im. Adama Mickiewicza w Poznaniu

Publikacja: 2020

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Agnieszka Jelewska (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski