FAQ
Logo Uniwersyteti Jagiellońskiego w Krakowie

Avalokiteśvara in Tibetan Buddhist art of the Later spread (Tib. phyi dar) of the Dharma. Image classification proposal, part 1.

Data publikacji: 2020

The Polish Journal of the Arts and Culture. New Series, 2020, 12 (2/2020), s. 27 - 40

https://doi.org/10.4467/24506249PJ.20.007.13446

Autorzy

Joanna Grela
Katedra Porównawczych Studiów Cywilizacji Uniwersytetu Jagiellońskiego, ul. Grodzka 52, 31-044 Kraków
https://orcid.org/0000-0001-7696-5296 Orcid
Wszystkie publikacje autora →

Tytuły

Avalokiteśvara in Tibetan Buddhist art of the Later spread (Tib. phyi dar) of the Dharma. Image classification proposal, part 1.

Abstrakt

According to traditional Buddhist narratives and popular beliefs, Tibetans are a people chosen by Avalokiteśvara. Therefore, his worship and multitude, as well as diversity of his images are quite common both in temples and public areas. Unlike the widespread analyses where the Bodhisattva has been treated as a peaceful tutelary deity, and classifications of its images have been based on morphological features (i.e. the number of hands, heads, etc.) or by artistic styles and techniques. This paper proposes another approach by grounding images in Tantric Buddhism models used locally. In the first part of the article, the images of Avalokiteshvara are inscribed in the bodyspeech-mind models as well as the external, secret and the first of the three internal aspects of the Three Refuges, also known as the Three Jewels, which covers a much wider set of iconographic material than usually considered.

Bibliografia

Bacot, J., Thomas F. W., Toussaint Ch. 1940. Documents de Touen-Houang relatifs à l’histoire du Tibet, Paris : Librairie Orientaliste Paul Geuthner.
 
Bsod nams rgyal mtshan. 1966. Rgyal rabs gsal ba’i me long. B. I. Kuznetsov (ed.), Leiden: E.J. Brill; English translation: Sakya Sonam Gyaltsen. 1996. The Clear Mirror. A Tibetan Account of Tibet’s Golden Age, trans. T. McComas, Lama Choedak Yuthok, Ithaca, NY: Snow Lion Publications.
 
Fingesten, P. 1951. Toward a New Definition of Religious Art. “College Art Journal, Vol. X, No. 2. After: Gordon, A. K.. 2002. Tibetan Religious Art, New York: Dover Publications, Inc, pp. vi-viii.
 
God and King: The Devarāja Cult in South Asian Art and Architecture. 2005. A. R. Sengupta (ed.), New Delhi: National Museum Institute.
 
ITJ 0750.
 
Kapstein, M. 1992. Remarks on the Mani bKa‘-’bum and the Cult of Avalokiteśvara in Tibet, in: Tibet Buddhism: Reason and Revelation, S. D. Goodman and R. M. Davidson (eds.). Albany: State University of New York Press, pp. 57–93.
 
Kapstein, M. 2000. The Tibetan Assimilation of Buddhism: Conversion, Contestation, and Memory. New York: Oxford.
 
Kollmar-Paulenz, K. 2014. Kleine Geschichte Tibets. München: Verlag C.H. Beck.
 
Laird, Th. 2007. The Story of Tibet: Conversations with the Dalai Lama. New York: Grove Press.
 
Maṇi bka’ ‘bum. 1991. Xining.
 
Macdonald, A. W. 1984. Religion in Tibet at the Time of Srong-Btsan Sgam-Po: Myth as History. In: Tibetan and Buddhist Studies Commemorating the 200th Anniversary of Birth of Alexander Csoma de Kőrös, L. Ligeti (ed.). Budapest. Vol. 2, pp. 129–141.
 
Or 8212.
 
PT 7a.
 
PT 240.
 
PT 1286.
 
PT 1287.
 
PT 1288.
 
Segarra, A. 2007. Du Singe au Signe ou la figure du Trickster à travers les deux principaux personnages du Rāmāyaṇa et du Xīyóu jì : Hanuman et Sun Wukong. Clermont-Ferrand : Université Blaise Pascal.
 
The Old Tibetan Annals. An Annotated Translation of Tibet’s First History. 2010. transl. B. Dotson. Wien: Verlag der Österreichischen Akademie der Wissenschaften.
 
Yü, Ch.-F. 1994. Guanyin: The Chinese Transformation of Avalokiteshvara. In: Latter Days of the Law : Images of Chinese Buddhism, 850-185. M. Weidner (ed.). Lawrence: Spencer Museum of Art, the University of Kansas, in association with University of Hawaii Press, pp. 151–182.
 
Internet sources
 
https://bobthurman.com/buddhism-101-tibets-dalai-lama-ep-110/dalai-lama-alex-grey/ Accessed 2019.12.11
 
https://lotuswithin.com/product/karma-kagyu-refugee-tree/ Accessed 2020.03.11

Informacje

Informacje: The Polish Journal of the Arts and Culture. New Series, 2020, 12 (2/2020), s. 27 - 40

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Angielski:

Avalokiteśvara in Tibetan Buddhist art of the Later spread (Tib. phyi dar) of the Dharma. Image classification proposal, part 1.

Polski:

Avalokiteśvara in Tibetan Buddhist art of the Later spread (Tib. phyi dar) of the Dharma. Image classification proposal, part 1.

Autorzy

https://orcid.org/0000-0001-7696-5296

Joanna Grela
Katedra Porównawczych Studiów Cywilizacji Uniwersytetu Jagiellońskiego, ul. Grodzka 52, 31-044 Kraków
https://orcid.org/0000-0001-7696-5296 Orcid
Wszystkie publikacje autora →

Katedra Porównawczych Studiów Cywilizacji Uniwersytetu Jagiellońskiego, ul. Grodzka 52, 31-044 Kraków

Publikacja: 2020

Status artykułu: Otwarte __T_UNLOCK

Licencja: CC BY-NC-ND  ikona licencji

Udział procentowy autorów:

Joanna Grela (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski