FAQ

New Information  Provided by Multidisciplinary Studies, Including Radiography, XRD and XRF, of the triptych the Last Judgment from National Museum in Gdańsk, attributed to Rogier van der Weyden and Hans Memling

Data publikacji: 03.06.2016

Opuscula Musealia, Volume 23 (2015), Volume 23, s. 61 - 73

https://doi.org/10.4467/20843852.OM.15.006.5384

Autorzy

,
Iwona Szmelter
Faculty of Conservation-Restoration of Artworks, Academy of Fine Art in Warsaw, PL
Wszystkie publikacje autora →
,
Philippe Walter
Sorbonne Universités, UPMC Univ Paris 06, UMR 8220, Laboratoire d’archéologie moléculaire et structurale, LAMS, 4, Place Jussieu, F-75005, Paris, France
Wszystkie publikacje autora →
Hélene Rousseliere
CNRS, UMR 8220, LAMS, F-75005, Paris, France
Wszystkie publikacje autora →

Tytuły

New Information  Provided by Multidisciplinary Studies, Including Radiography, XRD and XRF, of the triptych the Last Judgment from National Museum in Gdańsk, attributed to Rogier van der Weyden and Hans Memling

Abstrakt

Examination of the Gdańsk triptych Last Judgment carried out by the Faculty of Art. Conservation of the Academy of Fine Arts in Warsaw and CHARISMA Group researchers included XRD/XRF, multispectral reflectography MNIR and other methods. They have shown that the work, a typical example of 15th-century Flemish art, was probably begun by Rogier van der Weyden (design, drawings and some underpainting, and completed by Hans Memling. Dendrochronology tests have confirmed that the support from Baltic oak might have been ready for painting in 1460, i.e. 4 years before the death of Weyden. The Last Judgment’s unique expression is due to its Northern Renaissance features.
 

Bibliografia

Ainsworth M.W., 1994, Hans Memling as a Draughtman [in:] D. de Vos (ed.), Hans Memling Essays, Stedelijke Musea Brugge & Fonds Mercator Paribas, Brugge

Daffara C., Pampaloni E., Pezzati L., Barucci M., Fontana R., 2010, Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics, “Accounts of Chemical Research”, Vol. 43, pp. 847856.

Duran A., Perez-Rodriguez J.L., Espejo T., Franquelo M.L., Castaing J., Walter P., 2009, Characterization of illuminated manuscript by laboratory-made portable XRD and micro-XRD systems, “Analytical and Bioanalytical Chemistry”, 395, pp. 19972004.

Faries M., 1994, The Underdrawing of Memling Last JudgmentAltarpiece in Gdańsk [in:]
H. Verostraete, R. van Schoute, M. Smeyers, A. Dubois (eds.), Memling Studies,Proceedings of the International Colloquium (Bruges, 1012 November 1994).

Flik J., Olszewska-Świetlik J., 2005, Tryptyk “Sąd Ostateczny” Hansa Memlinga z Muzeum Narodowego w Gdańsku – technologia i technika malarska (Triptych ‘The Last Judgement’ by Hans Memling from National Museum in Gdańsk – technology and paintings technics), Toruń, passim.

Gianoncelli A., Ortega L., Castaing J., Dooryhée E., Salomon J., Hodeau J.-L., Walter P., Bordet P., 2008, A portable instrument for in-situ determination of the chemical and phase compositions of Cultural Heritage objects, “X-ray Spectrometry”, 37, pp. 418423.

Miles D.H., 2005, New developments in the interpretation of dendrochronology as applied to oak building timbers,University of Oxford, unpubl. PhD thesis, 386 pp.

Miliani C., Rosi F., Brunetti B.G., Sgamellotti A., 2010, In Situ Non-invasive Study of Artworks: the MOLAB Multi-technique Approach, “Accounts of Chemical Research”, Vol. 43, pp. 728738.

Romani A., Clementi C., Miliani C., Favaro G., 2010, Fluorescence Spectroscopy: A Powerful Technique for the Non-invasive Characterization of Artwork, “Accounts of Chemical Research”,Vol. 43, pp. 837846.

Steyaert G., 2012, The ‘Seven Sacraments’ Some Technical Aspects Observed During Restoration [in:] L. Cambell (ed.), Rogier van der Weyden in Context, Paris–Leuven, pp. 124127.

Szmelter I., 2014,Wyniki wielokryterialnych badań Sądu Ostatecznegoz Muzeum Narodowego w Gdańsku. Nowe odczytanie tryptyku jako dzieła Rogiera van der Weydena i Hansa Memlinga / Results of Multi-Criteria Research on the Last Judgmentfrom the National Museum in Gdańsk. New Attribution of the Triptych to Rogier van der Weyden and Hans Memling, “Muzealnictwo”, Vol. 55, pp. 37–60,

http://nimoz.pl/upload/wydawnictwa/Muzealnictwo/Muzealnictwo55/Muzealnictwo_nr_55_2014.pdf , accessed on: 21.11.2015

Van der Snickt G., Miliani C., Janssens K., Brunetti B.G., Romani A., Rosi F., Walter P., Castaing J., De Nolf W., Klaassen L., Labarquee I., and Wittermannf R., 2011, Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations, “Journal of Analytical Atomic Spectrometry”, 26, p. 2216.

Viguerie L. de, Walter P., Laval E., Mottin B., Solé V.A., 2010, Revealing the sfumato Technique of Leonardo da Vinci by X-Ray Fluorescence Spectroscopy, “Angewandte Chemie”, 49,
pp. 6125–6128.

Ważny T., 1990, Aufbau und Anwendung der DendrochronologiefürEichenholz in Polen, Diss. Universität Hamburg, Hamburg, 213 pp.

Ważny T., 2011, Secrets of a Rembrandt School Still Life: A Baltic oak panel and its many layers [in:] A.C. Weislogel, The New and Unknown World: Art, Exploration and Trade in the Dutch Golden Age, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, pp. 2230.

Welcomme E., Walter P., Bleuet P., Hodeau J.-L., Dooryhée E., Martinetto P., Menu M., 2007, Classification of lead white pigments using synchrotron radiation micro X-ray diffraction, “Applied Physics A”, 89, pp. 825832.

Woll A., Mass J., Bisulca Ch., Cushman M., Griggs C., Ważny T., Ocon N., 2008, The unique history of “The Armorer’s Shop”. An application of the confocal X-Ray fluorescence microscopy,“Studies in Conservation”, 53, pp. 93109.

Ziemba A., 2011,Sztuka Burgundii i Niderlandów 1380–1500, Niderlandzkie malarstwo tablicowe 1430–1500 (The Art of Burgundy and Netherlands 1380–1500, Dutch Panel Painting 1430–1500), University of Warsaw, Warsaw, Vol. II, pp. 97–119, 283–286.

Informacje

Informacje: Opuscula Musealia, Volume 23 (2015), Volume 23, s. 61 - 73

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

New Information  Provided by Multidisciplinary Studies, Including Radiography, XRD and XRF, of the triptych the Last Judgment from National Museum in Gdańsk, attributed to Rogier van der Weyden and Hans Memling

Angielski:

New Information  Provided by Multidisciplinary Studies, Including Radiography, XRD and XRF, of the triptych the Last Judgment from National Museum in Gdańsk, attributed to Rogier van der Weyden and Hans Memling

Autorzy

Faculty of Conservation-Restoration of Artworks, Academy of Fine Art in Warsaw, PL

Sorbonne Universités, UPMC Univ Paris 06, UMR 8220, Laboratoire d’archéologie moléculaire et structurale, LAMS, 4, Place Jussieu, F-75005, Paris, France

CNRS, UMR 8220, LAMS, F-75005, Paris, France

Publikacja: 03.06.2016

Status artykułu: Otwarte __T_UNLOCK

Licencja: Żadna

Udział procentowy autorów:

Iwona Szmelter (Autor) - 33%
Philippe Walter (Autor) - 33%
Hélene Rousseliere (Autor) - 34%

Korekty artykułu:

-

Języki publikacji:

Angielski