@article{6cf32783-64b3-417c-82dd-2c478214b550,
author = {Iwona Szmelter, Philippe Walter, Hélene Rousseliere},
title = {New Information  Provided by Multidisciplinary Studies, Including Radiography, XRD and XRF, of the triptych the Last Judgment from National Museum in Gdańsk, attributed to Rogier van der Weyden and Hans Memling},
journal = {Opuscula Musealia},
volume = {Volume 23 (2015)},
number = {Volume 23},
year = {2016},
issn = {0239-9989},
pages = {61-73},keywords = {Multi-criteria research; non-destructive tests of artworks; 15th-century Flemish painting; Rogier van der Weyden; Hans Memling; synergy of sciences in artwork analysis},
abstract = {Examination of the Gdańsk triptych Last Judgment carried out by the Faculty of Art. Conservation of the Academy of Fine Arts in Warsaw and CHARISMA Group researchers included XRD/XRF, multispectral reflectography MNIR and other methods. They have shown that the work, a typical example of 15th-century Flemish art, was probably begun by Rogier van der Weyden (design, drawings and some underpainting, and completed by Hans Memling. Dendrochronology tests have confirmed that the support from Baltic oak might have been ready for painting in 1460, i.e. 4 years before the death of Weyden. The Last Judgment’s unique expression is due to its Northern Renaissance features.
	 },
doi = {10.4467/20843852.OM.15.006.5384},
url = {https://ejournals.eu/czasopismo/opuscula-musealia/artykul/new-information-provided-by-multidisciplinary-studies-including-radiography-xrd-and-xrf-of-the-triptych-the-last-judgment-from-national-museum-in-gdansk-attributed-to-rogier-van-der-weyden-and-hans-memling}
}