What was and still is free hand drawing as an architect’s tool for conveying the vision of an object, presenting the concept of creating, shaping the balance between the constructive matter and the creative abilities of the maker? Drawing serves as a presentation of an idea. The architect’s draught is the result of a dialogue between thought, hand and an idea. Creating without emotion is not art. Drawing is only a form of recording. It is an endless act of perfecting the author’s work. This text presents the main stages of development, examples of artistic narration, which is an alternative to the individual form of constructing conceptions of space and its critical factors. This article aims to explain the relations between life and art, which are analysed through two similar problems: how to successfully influence the investor’s senses through the use of the drawing art. The author (through presenting the rank of drawing in his profession) aims to prove, that the architect’s freehand drawing stimulates imagination, sensitivity, spirituals values, traditional aesthetics. It emphasizes colour, rhythm, order and dynamism. A work doesn’t have to be created in the virtual world to become the full interaction between the inner and outer factors. The architect’s freehand drawing reflects the unconstrained creation of the mind concerning the status of the form in space as an artistic event.

What was and still is free hand drawing as an architect’s tool for conveying the vision of an object, presenting the concept of creating, shaping the balance between the constructive matter and the creative abilities of the maker? Drawing serves as a presentation of an idea. The architect’s draught is the result of a dialogue between thought, hand and an idea. Creating without emotion is not art. Drawing is only a form of recording. It is an endless act of perfecting the author’s work. This text presents the main stages of development, examples of artistic narration, which is an alternative to the individual form of constructing conceptions of space and its critical factors. This article aims to explain the relations between life and art, which are analysed through two similar problems: how to successfully influence the investor’s senses through the use of the drawing art. The author (through presenting the rank of drawing in his profession) aims to prove, that the architect’s freehand drawing stimulates imagination, sensitivity, spirituals values, traditional aesthetics. It emphasizes colour, rhythm, order and dynamism. A work doesn’t have to be created in the virtual world to become the full interaction between the inner and outer factors. The architect’s freehand drawing reflects the unconstrained creation of the mind concerning the status of the form in space as an artistic event.