The Changing Position of the Theatergoer in the Changing Space of Online Performances

Otília Ármeán Fülöp

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Publication date: 28.09.2022

Media Research Issues, 2022, Volume 65, Issue 3 (251), pp. 11 - 17

https://doi.org/10.4467/22996362PZ.22.025.15952

Authors

Pobierz pełny tekst

PDF

Titles

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Abstract

During the last year we all were banned to participate in our everyday life using online transmission, homework, homeschool and different digital tools. But with all this we also gained access to cultural or other practices that previously were not part in our everyday life. That resulted in a detailed spectrum of participation from the form of listening-observing to the different levels of giving feedback and taking control (for example putting questions to the other participants or to the crew, taking part in the discussion, pausing or leaving an event). This paper investigates the possibilities of agency given to the participants by the online theater. It starts from personal experiences, but ends in questions regarding the medial nature of this new transmission form: to what extent should digitally transmitted performances, shows be considered theater? And if they are not theater, what are they?

Keywords

hypermedium, theater, agency, cool media, inclusive

References

Download references

Auslander Ph. (1999). Liveness: Performance in a Mediatized Culture. London–New York.

Benjamin W. (1936). The Work of Art in the Age of Mechanical Reproduction. Transl. H. Zohn [https://web.mit.edu/allanmc/www/benjamin.pdf; 10.05.2021].

Boenisch P.M. (2003). Comedia Electronica: Performing Intermediality in Contemporary Theatre. Theatre Research International, vol. 28(1), pp. 34–45. DOI: 10.1017/S0307883303000130.

https://doi.org/10.1017/S0307883303000130.

Brantley B., Green J., Phillips M., Heller S. (2020). This Is Theater in 2020: Will It Last? Should It? The New York Times [https://www.nytimes.com/2020/07/08/theater/streaming-theater-experiments.html; 10.05.2021].

Breel A. (2016). Agentive Behaviour, Creative Agency and the Experience of Agency: Towards a Contextual Framework of Agency in Participatory Performance. In: Audience, Experience, Desire: Interactivity and Participation in Contemporary Performance & The Cultural Industries. University of Exeter, Department of Drama.

De Kerckhove D. (1982). Theatre as Information-Processing in Western Cultures. Modern Drama, vol. 25(1), pp. 143–153. DOI: 10.1353/mdr.1982.0000.

https://doi.org/10.1353/mdr.1982.0000.

Deres K. (2015). A médiatechnológia színrevitele. In: J. Orbán (ed.). Újmédia, Újnyelv, Újfilozófia, Újirodalom(Elmélet), Újpedagógia? Pécs, Pécsi Tudományegyetem [http://polc.ttk.pte.hu/tamop-4.1.2.B.2-13/1-2013-0014/96/iii_jtechnolgia_jsznhztudomny_jsznhzmvszet.html; 10.05.2021].

Fischer-Lichte E. (2008). The Transformative Power of Performance: A New Aesthetics. Transl. S.I. Jain. London–New York.

Grau O. (2003). Virtual Art: From Illusion to Immersion. Transl. G. Custance. Cambridge, MA–London.

McLuhan M. (1994). Understanding Media: The Extension of Man. Cambridge, MA–London.

Murray J.H. (1997). Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York.

Závada P. (2020). A jelenlét kisiklatása. közvetlenség és közvetítettség multimediális tapasztalata a „karantén-színházak” idején. Színház.Net [http://szinhaz.net/2020/04/20/zavada-peter-a-jelenlet-kisiklatasa; 9.11.2020].

Information

Information: Media Research Issues, 2022, Volume 65, Issue 3 (251), pp. 11 - 17

DOI: https://doi.org/10.4467/22996362PZ.22.025.15952

Article type: Original article

Titles:

Polish:

The Changing Position of the Theatergoer in the Changing Space of Online Performances

English:

The Changing Position of the Theatergoer in the Changing Space of Online Performances

Authors

Otília Ármeán Fülöp

https://orcid.org/0000-0002-5379-2326

Sapientia Hungarian University of Transylvania, Târgu Mureș, Romania

Published at: 28.09.2022

Article status: Open

Licence: CC BY

Percentage share of authors:

Otília Ármeán Fülöp (Author) - 100%

Article corrections:

Publication languages:

English

View count: 482

Number of downloads: 314

<p> The Changing Position of the Theatergoer in the Changing Space of Online Performances</p>

Download xml