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Méprisé, mais pas méprisable – échec de la rhétorique de dissuasion dans Demain matin, Montréal m’attend de Michel Tremblay

Publication date: 05.11.2020

Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2020, Volume 15, Issue 4, pp. 301 - 308

https://doi.org/10.4467/20843933ST.20.025.12546

Authors

Sebastian Zacharow
University of Lodz, Poland, ul. Narutowicza 65, 90-131 Łódź
https://orcid.org/0000-0001-5536-1637 Orcid
All publications →

Titles

Méprisé, mais pas méprisable – échec de la rhétorique de dissuasion dans Demain matin, Montréal m’attend de Michel Tremblay

Abstract

Despised but not Despicable – Failure of the Rhetoric of Dissuasion in Demain matin, Montréal m’attend by Michel Tremblay

In Demain matin, Montréal mattend, a comedy by Michel Tremblay written in the era of a Quiet Revolution, contempt takes on an argumentative value. Lola Lee, a singer and artist in La Main –an artistic neighborhood in Montreal. Lola’s younger sister –Louise –is jealous of the popularity gained by her older sibling. Lola Lee, in the attempt to discourage Louise from the idea of following in her footsteps travels with her through the most infamous artistic venues. During this trip Louise meets artists with questionable morals. The aim of the article is firstly to show how this journey, instead of generating contempt, becomes the core of searching for your own artistic identity. Secondly, the article explains how Tremblay’s art, using metaphors in the style of Almodóvar, represent the national dramaturgy of Quebec, in which the hero, which is an allegory of the whole society, undergoes an evolution that allows him to appreciate his own identity instead of despising it.

References

Barette J.-M., L’’Univers Michel Tremblay. Dictionnaire des personnages, Montréal 1996.

Boulanger L., Pièces à conviction. Entretiens avec Michel Tremblay, Ottawa 2001.

Canadian Theatre Encyclopedia, http://www.canadiantheatre.com/dict.pl?term=Hosanna (page consultée le 04.04.2018).

Cotnam J., Le Théâtre québecois. Instrument de contestation sociale et politique, Montréal 1976.Desmeules G., Lahaie Ch., Les Personnages du théâtre québecois, Québec 2000.

Desmeules G., Lahaie Ch., Les Personnages du théâtre québecois, Québec 2000.

Greffard M., Sabourin J.-G., Le Théâtre québecois, Québec 1997.

Katinakis N., Critique : Demain Matin, Montréal M’attend au Théâtre du Nouveau Monde, www.musicalavenue.fr (accès : 18.10.2019).

Nardocchio E.F., Theatre and Politics in Modern Québec, Edmonton 1986.

Perelman Ch., L’’Empire rhétorique, Paris 2012.

Reboul O., Introduction à la rhétorique, Paris 1995.

Saint-Pierre Ch., Demain matin, Montréal m’attend : gravir les échelons, « Le Devoir » 2017, 17 juin, version numérique, https://www.ledevoir.com/culture/theatre/501473/demain-matin-montreal-m-attend (accès: 1.02.2020).

Tremblay M., Demain matin, Montréal m’’attend, Théâtre II, Montréal 2006.

Information

Information: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2020, Volume 15, Issue 4, pp. 301 - 308

Article type: Original article

Titles:

Polish:

Méprisé, mais pas méprisable – échec de la rhétorique de dissuasion dans Demain matin, Montréal m’attend de Michel Tremblay

English:
Despised but not Despicable – Failure of the Rhetoric of Dissuasion in Demain matin, Montréal m’attend by Michel Tremblay

Authors

https://orcid.org/0000-0001-5536-1637

Sebastian Zacharow
University of Lodz, Poland, ul. Narutowicza 65, 90-131 Łódź
https://orcid.org/0000-0001-5536-1637 Orcid
All publications →

University of Lodz, Poland, ul. Narutowicza 65, 90-131 Łódź

Published at: 05.11.2020

Article status: Open

Licence: CC BY-NC-ND  licence icon

Percentage share of authors:

Sebastian Zacharow (Author) - 100%

Article corrections:

-

Publication languages:

French