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Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism

Publication date: 06.04.2018

Studia Judaica, 2017, Nr 2 (40), pp. 287 - 306

https://doi.org/10.4467/24500100STJ.17.013.8248

Authors

Edwin Seroussi
The Hebrew University of Jerusalem
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Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism

Abstract

The article discusses the conception, performance and reception of nigun Shamil as a representative case of the social, literary and technological mechanisms that characterize music in Habad, past and present. The author argues for the centrality of non-accompanied, mostly wordless vocal tunes performed by the Hasidic masters such as the Lubavitcher Rebbe, as a main vehicle for the articulation of both the heightening of mystical experience and the teaching of Hasidism.

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Information: Studia Judaica, 2017, Nr 2 (40), pp. 287 - 306

Article type: Original article

Titles:

Polish:

Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism

English:

Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism

Authors

The Hebrew University of Jerusalem

Published at: 06.04.2018

Article status: Open

Licence: CC BY-NC-ND licence icon

Percentage share of authors:

Edwin Seroussi (Author) - 100%

Article corrections:

-

Publication languages:

Polish

View count: 1523

Number of downloads: 1881

<p> <em>Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism</em></p>
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