@article{a332ae48-a5ac-4fce-8a1f-6eacf68136c8,
author = {Edwin Seroussi},
title = {Shamil:Concept, Practice and Reception of a Nigunin Habad Hasidism},
journal = {Studia Judaica},
volume = {2017},
number = {Nr 2 (40)},
year = {2018},
issn = {1506-9729},
pages = {287-306},keywords = {Shamil; Habad; Hasidism; music; nigun},
abstract = {The article discusses the conception, performance and reception of nigun Shamil as a representative case of the social, literary and technological mechanisms that characterize music in Habad, past and present. The author argues for the centrality of non-accompanied, mostly wordless vocal tunes performed by the Hasidic masters such as the Lubavitcher Rebbe, as a main vehicle for the articulation of both the heightening of mystical experience and the teaching of Hasidism.},
doi = {10.4467/24500100STJ.17.013.8248},
url = {https://ejournals.eu/en/journal/studia-judaica/article/shamil-concept-practice-and-reception-of-a-nigunin-habad-hasidism}
}