21st century. Every part of the article referes to different manner of using landscape according to current  cultural needs. In accordance with Warburg’s thesis no distinction was made between paintings being included in order  of the so-called highbrow art and images taken  from  mass media  and  popular  culture.  Such an  approach  enabled  to underline  general accompanying purposes for image production  both in historical ages as well as in our  times. The  article  emphasizes  the  ceaseless necessity of the  human kind for presenting  its most immediate  environment,  willingness to keep or to create determined  images of cities, as well as various forms of using landscapes arisen currently or in the past. Being based on a method implemented  by Warburg that is, juxtapositing various images together within individual boards, the article shows its possible applications enabled  by new technologies  in order  to bulid a hiperlinkes  structures  which connect images not only within one board but also in between them. It results in production  of hyperlinked  arrangements  that  once again confirm tha  fact that  Aby Warburg  should be perceived not only as the father  of modern  art history, but also as the founder  of visual studies.