Quipping the Museum: Queering the Crip, Cripping the Queer at Berlin’s Schwules Museum
cytuj
pobierz pliki
RIS BIB ENDNOTEChoose format
RIS BIB ENDNOTEQuipowanie muzeum: O wystawie Queering the Crip, Cripping the Queer w berlińskim Schwules Museum
Publication date: 07.2023
Arts & Cultural Studies Review, 2023, Issue 2 (55) Bio-aktywne rumowisko historii cz. II, pp. 233 - 244
https://doi.org/10.4467/20843860PK.23.016.18382Authors
Quipowanie muzeum: O wystawie Queering the Crip, Cripping the Queer w berlińskim Schwules Museum
The article analyzes Queering the Crip, Cripping the Queer (Schwules Museum, Berlin, 2022/2023) – the first international exhibition which centred on the intersections of queer and crip history, culture, and activism. Drawing on the theoretical framework of cultural disability studies, Ojrzyńska examines its key thematic areas, such as inclusion, aesthetic beauty, history, and resistance. Informed by the minoritarian ethics of representation, Queering the Crip… showed how a museum exhibition can serve as a site of inclusivity and a resource for inclusive practices, nurturing solidarity and a sense of connection across various categories of social exclusion, invisibility, and marginalization, with major focus on “quip” identities, to use the neologism put forward by Quiplash. It expanded the Schwules Museum’s reach beyond those members of the queer community who fit in the bodily and mental “norm” as well as stimulating reflection on the place and role of disability in culture and society. In fact, the exhibition presented disability and queerness as identities and alternative ways of being in the world that can intersect and have a strong subversive political, ethical, and aesthetic potential.
Bagenstos S.R., Who Gets the Ventilator? Disability Discrimination in COVID-19 Medical-Rationing Protocols, „The Yale Law Journal” 2020, nr 130, https://www.yalelawjournal.org/forum/who-gets-the-ventilator (dostęp: 29.06.2023).
Brown A.M., Pleasure Activism: The Politics of Feeling Good, AK Press, Chico, CA 2019, ebook.
Butler J., Bodies That Matter: On the Discursive Limits of “Sex”, Routledge, New York 1993.
Davis L.J., Nude Venuses, Medusa’s Body, and Phantom Limbs, [w:] D.T. Mitchell, S.L. Snyder (red.), The Body and Physical Difference: Discourses of Disability, University of Michigan Press, Ann Arbor 1997, s. 51–70.
Foster H., Prosthetic Gods, The MIT Press, Cambridge, MA 2004.
Fries K., Disability Can Save Your Life, YouTube, 30.11.2020, https://www.youtube.com/watch?v=kO4IU4U9_Ys&ab_channel=KennyFries (dostęp: 29.06.2023).
Garland-Thomson R., Gapienie się, czyli o tym, jak patrzymy i jak pokazujemy siebie innym, przeł. K. Ojrzyńska, Fundacja Teatr 21, Warszawa 2020.
Heppenstall R., From Apology for Dancing: The Sexual Idiom [1936], [w:] R. Copeland, M. Cohen (red.), What Is Dance?: Readings in Theory and Criticism, Oxford University Press, Oxford 1983, s. 267–288.
Hessling G., Madness and Art in the Prinzhorn Collection, „The Lancet” 2001, nr 358, s. 1913.
Hoghe R., Dancing the Sublime: Raimund Hoghe in Conversation with Bonnie Marranca, „PAJ: A Journal of Performance and Art” 2010, t. 32, nr 2, s. 24–37.
Hoghe R., Danse Vunérable, 2016, Schwules Museum 2022, nagranie wideo, 7:14.
Jensen E.N., The Pink Triangle and Political Consciousness: Gays, Lesbians, and the Memory of Nazi Persecution, „Journal of the History of Sexuality” 2002, t. 11, nr 1–2, s. 319–349.
Knittel S.C., The Historical Uncanny: Disability, Ethnicity and the Politics of Holocaust Memory, Fordham University Press, New York 2015.
Lehrer R., Golem Girl: A Memoir, One World, New York 2020.
Lorde A., A Burst of Light: Living with Cancer, [w:] eadem, A Burst of Light: Essays, Firebrand, Ithaca, NY 1988, s. 49–134.
Lorde A., Uses of the Erotic: The Erotic as Power [1978], [w:] B.K. Scott, S.E. Cayleff, A. Donadey, I. Lara (red.), Women in Culture: An Intersectional Anthology for Gender and Women’s Studies, Wiley Blackwell, Malden, MA 2017, s. 205–209.
McRuer R., Compulsory Ablebodiedness and Queer/Disabled Existence, [w:] L.J. Davis (red.), Disability Studies Reader, Routledge, New York 2013, s. 369–378.
McRuer R., Crip Theory: Cultural Signs of Queerness and Disability, New York University Press, New York 2006.
Nierodzińska Z., Rzucenie ciała do walki, „Dwutygodnik” 2022, nr 349, https://www.dwutygodnik.com/artykul/10476-rzucenie-ciala-do-walki.html (dostęp: 29.06.2023).
Parsons T., System społeczny, przeł. M. Kaczmarczyk, Nomos, Kraków 2009.
Perel, Perel: Life [Un]Worthy of Life, YouTube, 9.10.2020, https://www.youtube.com/watch?feature=emb_title&v=pLfFbFuUGnE (dostęp: 29.06.2023).
Sandahl C., Queering the Crip or Cripping the Queer? Intersections of Queer and Crip Identities in Solo Autobiographical Performance, „GLQ: A Journal of Lesbian and Gay Studies” 2003, t. 9, nr 1–2, s. 25–56.
Schwules Museum, Press Section: Queering the Crip, Cripping the Queer, Press/News, 19.08.2022, https://www.schwulesmuseum.de/presseaktuell/presssection-queering-the-crip-cripping-thequeer/?lang=en.
Siebers T., Disability Aesthetics, University of Michigan Press, Ann Arbor 2013.
Vallette J., Combatting Institutional Ableism in Germany: An Interview with Berlinklusion, Berlin Art Link, 4.12.2020, https://www.berlinartlink.com/2020/12/04/combatting-institutional-ableism-in-germany-an-interview-with-berlinklusion/ (dostęp: 29.06.2023).
Information: Arts & Cultural Studies Review, 2023, Issue 2 (55) Bio-aktywne rumowisko historii cz. II, pp. 233 - 244
Article type: Original article
Titles:
Quipowanie muzeum: O wystawie Queering the Crip, Cripping the Queer w berlińskim Schwules Museum
University of Lodz, Pomorska 171/173, 91-404 Łódź, Poland
Published at: 07.2023
Article status: Open
Licence: CC BY
Percentage share of authors:
Article corrections:
-Publication languages:
PolishView count: 558
Number of downloads: 233