Appleiness of the Apple or the Dualism in Deleuzian Sensation

Kamil  Lipiński

Appleiness of the Apple or the Dualism in Deleuzian Sensation

Publication date: 2022

Arts & Cultural Studies Review, 2022, Issue 2 (52) Bio-aktywne rumowisko historii cz. I , pp. 222-234

https://doi.org/10.4467/20843860PK.22.016.16313

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Appleiness of the Apple or the Dualism in Deleuzian Sensation

Abstract

This article addresses the figural dimension of Gilles Deleuze’s thought in terms of the twofold relation of forces aligned with the dualism of figures emerging in the visual image. The drive towards the differentiation of haptic figures provides an insight into the anti-representative approach to figurative clichéof painting to reveal the crucial tropes of figural presence and the profound understanding of Deleuzian decentration by addressing the inner context of his writings and external writings commenting on his thought. In this essay, I review Deleuze’s argument, his use and critique of Riegl, the central place of what he calls hapticity in this vision, and consider his attempt to illustrate what this “sensation”might be.

Keywords

dualism, bipolar movement resonance, figure, sensation, figurality

References

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Information

Information: Arts & Cultural Studies Review, 2022, Issue 2 (52) Bio-aktywne rumowisko historii cz. I , pp. 222-234

DOI: https://doi.org/10.4467/20843860PK.22.016.16313

Article type: Original article

Authors

Kamil Lipiński

https://orcid.org/0000-0001-5109-3698

University of Bialystok ul. M. Skłodowskiej-Curie 14 15-097 Białystok, Poland

Published at: 2022

Article status: Open

Licence: CC BY

Percentage share of authors:

Kamil Lipiński (Author) - 100%

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English

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