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Wirtualne sale i globalne sieci. Partycypacja w kulturze filmowej w kontekście pandemii

Publication date: 10.2020

Ethnographies, 2020, Volume 48, Issue 1, pp. 39 - 55

https://doi.org/10.4467/22999558.PE.20.003.12628

Authors

Tomasz Raczkowski
University of Wrocław, plac Uniwersytecki 1, 50-137 Wrocław, Poland
https://orcid.org/0000-0003-4341-9293 Orcid
All publications →

Titles

Wirtualne sale i globalne sieci. Partycypacja w kulturze filmowej w kontekście pandemii

Abstract

Virtual Screens, Global Networks. Film Culture Participation in the Wake of Pandemic

The article discusses the subject of virtualization – the process of partial transmission significant discursive fields into the Internet – of the film culture, which is defined as the group of practices and discourses accompanying cinema, which connect it with the socio-cultural environment. According to the author, the virtualization process is specifically exposed during pandemics and social isolation, what is presented in the text from the perspective of film audience. Pandemic is treated here as liminoidal moment, in which, due to the disorder of cinema’s functioning, its social networks happen to transform in certain manner. By interpreting results of his own fieldwork, author points at general dynamics of virtualization as an element of contemporary film culture, highlighting both the possibilities opened by such situation and dangers it brings.

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Information

Information: Ethnographies, 2020, Volume 48, Issue 1, pp. 39 - 55

Article type: Original article

Titles:

Polish:

Wirtualne sale i globalne sieci. Partycypacja w kulturze filmowej w kontekście pandemii

English:

Virtual Screens, Global Networks. Film Culture Participation in the Wake of Pandemic

Authors

https://orcid.org/0000-0003-4341-9293

Tomasz Raczkowski
University of Wrocław, plac Uniwersytecki 1, 50-137 Wrocław, Poland
https://orcid.org/0000-0003-4341-9293 Orcid
All publications →

University of Wrocław, plac Uniwersytecki 1, 50-137 Wrocław, Poland

Published at: 10.2020

Article status: Open

Licence: CC BY-NC-ND  licence icon

Percentage share of authors:

Tomasz Raczkowski (Author) - 100%

Article corrections:

-

Publication languages:

Polish