Review: Lisa Jakelski “Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968”
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RIS BIB ENDNOTEReview: Lisa Jakelski “Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968”
Publication date: 11.07.2018
The Polish Journal of the Arts and Culture. New Series, 2017, 6 (2/2017), pp. 141 - 145
Authors
Review: Lisa Jakelski “Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968”
1. Bylander C.E., The Warsaw Autumn International Festival of Contemporary Music, 1956–1961: Its Goals, Structures, Programs, and People, PhD thesis, The Ohio State University, 1989.
2. Guilbaut G., How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom and the Cold War. tr. Arthur Goldhammer, University of Chicago Press, Chicago 1983.
3. Jakelski L. M., The Changing Seasons of the Warsaw Autumn. Contemporary Music in Poland, 1960–1990, PhD thesis, University of California, Berkeley 2009.
4. Jakelski L. M., Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956–1968, University of California Press, 2017.
5. Kaczyński T., Zborski A., Warszawska Jesień, PWM, Kraków 1983.
6. McClary S., Terminal Prestige: The Case of Avant-Garde Music Composition, “Cultural Critique”, No. 12 (1989), Discursive Strategies and The Economy of Prestige, pp. 57–81.
7. Saunders F. S., The Cultural Cold War. The CIA and the World of Arts and Letters, The New Press, New York–London 2013.
8. Wellens I., Music on the Frontline: Nicolas Nabokov’s Struggle Against Communism and Middlebrow Culture, Ashgate, Aldershot 2002.
Information: The Polish Journal of the Arts and Culture. New Series, 2017, 6 (2/2017), pp. 141 - 145
Article type: Original article
Titles:
Review: Lisa Jakelski “Making New Music in Cold War Poland: The Warsaw Autumn Festival, 1956-1968”
Academy of Music in Krakow
Kraków Academy of Fine Arts
plac Jana Matejki 13, Kraków, Poland
Published at: 11.07.2018
Article status: Open
Licence: CC BY-NC-ND
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EnglishView count: 1152
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