Barbarian in the room. Depictions of the Europeans on Japanese folding screens from the nanban period. A study on the example of the Kanō Naizen screen entitled Departure of the Southern Barbarians
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RIS BIB ENDNOTEBarbarzyńca za przepierzeniem. Przedstawienia Europejczyków na japońskich parawanach okresu nanban. Studium na przykładzie parawanu Kanō Naizena pt. Odjazd barbarzyńców z Południa
Publication date: 29.08.2022
Gdansk Journal of East Asian Studies, 2022, Issue 21, pp. 41 - 49
https://doi.org/10.4467/23538724GS.22.021.16137Authors
Barbarzyńca za przepierzeniem. Przedstawienia Europejczyków na japońskich parawanach okresu nanban. Studium na przykładzie parawanu Kanō Naizena pt. Odjazd barbarzyńców z Południa
This article presents depictions of the Portuguese in Japanese art of the XVI century, portrayed on the byobu folding screens. The author tries to present historical and political context not only to explain the origin of the mentioned artworks but also to outline the origins and circumstances of the presence of the Portuguese in Japan. This article attempts to analyse the time and forms of depicting those newcomers in Japanese art, as well as to interpret their portrayals.
Information: Gdansk Journal of East Asian Studies, 2022, Issue 21, pp. 41 - 49
Article type: Original article
Titles:
Barbarzyńca za przepierzeniem. Przedstawienia Europejczyków na japońskich parawanach okresu nanban. Studium na przykładzie parawanu Kanō Naizena pt. Odjazd barbarzyńców z Południa
Barbarian in the room. Depictions of the Europeans on Japanese folding screens from the nanban period. A study on the example of the Kanō Naizen screen entitled Departure of the Southern Barbarians
University of Gdańsk
ul. Bażyńskiego 1a 80-952 Gdańsk, Poland
Published at: 29.08.2022
Article status: Open
Licence: CC BY
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-Publication languages:
Polish