The reader attentive to the novels of Malika Mokeddem cannot fail to spot the impressive link between humans and nature. The author’s fiction creates its own laws and invents a universe where language is no longer used as a means of description but as a tool to symbolically say a fusion between its different elements. The space of the dune amply brushed in the novels has captured our attention since it metamorphoses and changes status: sometimes affective/ maternal, sometimes seductive. As for the symbolically painted sea, has an emotional dimension since it has often been synonymous with substitute for the absent mother.

We will try, in this article, to highlight a writing in metamorphosis and to understand its different manifestations through the analysis of the explicit and implicit words of the author in her stories. The use of Bachelard’s work will therefore be of great support to explore the proposed avenues.