Grzegorz Rosiński’s comic strips are characteristic of a really transnational popular literature, because they are situated at the intersection of cultural influences from Poland and Belgium. This double identity, which can be perceived on various levels in Grzegorz Rosiński’s works (theme, stylistics, etc.), contributes to the singularity of his works and gives the creativity of the illustrator free rein, allowing him to deeply renew the ninth art. In our view, Rosiński applies a vital and disinhibiting poetics of movement in his works.
