Marek Lis
Studia Religiologica, Volume 49, Issue 1, 2016, pp. 33 - 43
https://doi.org/10.4467/20844077SR.16.003.4903Although biblical movies could be considered an almost defunct genre, television and cinema audiences in the first years of the 21st century are discovering a new interest of producers, motivated more by the desire for profit than by religious reasons. Among films, modern audiovisual apocrypha, we can observe new tendencies: animated feature films aimed at large family audiences, the appearance of a “professional Jesus” (Bruce Marchiano), and the tendency to put the figure of historical Jesus in modern ahistorical situations and in racial contexts (black Jesus).
Marek Lis
Studia Religiologica, Volume 51, Issue 2, 2018, pp. 83 - 92
https://doi.org/10.4467/20844077SR.18.005.9503