Keltoum Soualah

The author was able to transform the story of the disappearance of Amandine Moulin, which embodyed the loss of the meaning of life, in a work of analysis and a thoughtful prospecting. In fact, working on the reconstruction of meaning leads her to boldly explain the mechanism of destruction following the influence of manipulation and narcissistic perversion. We will there fore try to demonstrate that the motif of loss in this novel outlines the path of an individuation of the self, considering that Amandine will eventually be mature and will recover her missing part of soul. We will first highlight the great moments of this plural loss experienced by the narrator and the other characters. Then, we will deepen the different dimensions of this loss of meaning and trace the course of individuation as explained by the C.G. Jung.

In this article, it will be a question of a detailed and analytical reading of the incest, written by Ch. Angot, in order to explore the stigmas of "scriptural incest" by which the author expresses the torments of the past by transgressing the canonical rules of writing. The titular camera will be questioned and invested to show the tangled form of the novel. Moreover, the intertextuality will serve as theoretical support in order to examine the contribution of inter‐intra‐textual clashes for a good interpretation of this "scriptural incest".

Here we seek to demonstrate how pain, leading to shouts and delirium, becomes through the author's imagination in an empire of signs that describes with accuracy the conflicting relationship of the narrator with her parents. It is the language submitted to the imagination that is the core of this article. In other words, examining the different techniques that Laurens applies, in other words: deconstruction, a witty observation and different stylistic devices, in order to provide the reader with a codified view of the setbacks of her experiences.

This study aim sat examining different demonstrations of delirium in the novel entitled « In those arms » written by Camille LAURENS, a French contemporary writer. Since the genesis of Doubrovsky autofiction is psychoanalysis and surrealism, this autofiction will be the main tool to study delirium at the level of « a freed language ». The delirium allowing to see a rhizome where are telescoped content and form in order to create an opacity of the meaning are linked essentially to the writer's interior life. The language in all its forms will therefore be the field of investigation of the ailments that Camille suffers from. The narrator and writer artfully transforms her writing page into an allegoric couch in which her sorrows are translated.