In Novarina’s work, the word establishes a “lyrical gesture” : it calls. Since the appearance of what is called constitutes the drama itself, we can consider the lyricism as communication between the subject and the object as the process of creation. This creative gesture is doubly negative. First of all, the writer does not exist anymore in the creation process accomplished with the spectators. Secondly, Novarinian fiction is defined by its negative qualities : informal and timeless, it develops a negative view that opens behind the language.
