A Tragic Venus. Idolatry, Desire and Suffering in “The Planter of Malata” by Joseph Conrad
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RIS BIB ENDNOTEA Tragic Venus. Idolatry, Desire and Suffering in “The Planter of Malata” by Joseph Conrad
Data publikacji: 2021
Yearbook of Conrad Studies, 2019, Vol. 14, s. 109 - 122
https://doi.org/10.4467/20843941YC.19.006.13232Autorzy
A Tragic Venus. Idolatry, Desire and Suffering in “The Planter of Malata” by Joseph Conrad
The article is devoted to the analysis of the modern experience of love, to which the entire narrative of the Planter of Malata has been devoted. The modern approach to the subject will be understood here as the penetration of the sacred sphere into the domain of the profane. Thanks to this mechanism, it becomes possible to create the expression of an indirect, confused, quasi-sacred experience. Conrad’s protagonist thus sees a woman in terms of “sanctity,” which will be interpreted in terms of “modern idolatry” (J.-L. Marion), eliminating any distance between the worshiper and the object of worship. The main scope of the analyses will concern the consequences that result from the starting point established in this way. Conrad’s text confirms the assumption that “pain is a sign and a means of contact with the divine” (D. Morris), but at the same time indicates many levels at which this process takes place.
* The project was founded by The National Science Centre (Poland) on the basis of decision number 2012/05/B/HS2/04065.
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Informacje: Yearbook of Conrad Studies, 2019, Vol. 14, s. 109 - 122
Typ artykułu: Oryginalny artykuł naukowy
Uniwersytet Jagielloński w Krakowie, Polska, ul. Gołębia 24, 31-007 Kraków
Publikacja: 2021
Status artykułu: Otwarte
Licencja: CC BY-NC-ND
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