L'Opéra au service de la Nation. La relecture rhétorique de la Guerre de l'Opéra de Jacques Cazotte.

Sebastian Zacharow

Tytuły

L'Opéra au service de la Nation. La relecture rhétorique de la Guerre de l'Opéra de Jacques Cazotte.

Abstrakt

The Opera in the Service of the Nation. The Rhetorical Lecture of Guerre de l’Opéra

by Jacques Cazotte

The premiere of Serva Padrona by Pergolese at the Paris Opera divided deeply the French society of the Age of Enlightenment. The famous Querelle des Bouffons has become the nucleus of a lively debate, from which, what is to be emphasized, none of the sides was triumphant. In his treatise Guerre de l’Opéra, Jacques Cazotte, emphasizing his impartiality, stands in defense of French music.

By proving the superiority of Mondonville’s works, Cazotte is aware that only strong arguments can convince the philosophers. Accused by many of being “scientific” and in consequence, being incapable of expressing all the nuances of human passions, the French music, thanks to the ability to perform rhetorical functions, reserved, as it may seemingly appear, for forewords and literature, can not only conform to the rules, but also can please and touch. The French Opera, as Cazotte poves, fills perfectly the rhetorical target of persuasio with an intelligent and effective rhetoric and expresses the spirit and sensitivity of France.

The purpose of this article is to reflect on how Cazotte defends French music from the fashion for Italian music, which had a strong influence on the French aesthetics of the Age of Enlightenment, as well as from the philosophers of the epoch who would discredit at all costs the work of French composers in the eyes of the audience.

The premiere of Serva Padrona by Pergolese at the Paris Opera divided deeply the French society of the Age of Enlightenment. The famous Querelle des Bouffons has become the nucleus of a lively debate, from which, what is to be emphasized, none of the sides was triumphant. In his treatise Guerre de l’Opéra, Jacques Cazotte, emphasizing his impartiality, stands in defense of French music.

By proving the superiority of Mondonville’s works, Cazotte is aware that only strong arguments can convince the philosophers. Accused by many of being “scientific” and in consequence, being incapable of expressing all the nuances of human passions, the French music, thanks to the ability to perform rhetorical functions, reserved, as it may seemingly appear, for forewords and literature, can not only conform to the rules, but also can please and touch. The French Opera, as Cazotte poves, fills perfectly the rhetorical target of persuasio with an intelligent and effective rhetoric and expresses the spirit and sensitivity of France.

The purpose of this article is to reflect on how Cazotte defends French music from the fashion for Italian music, which had a strong influence on the French aesthetics of the Age of Enlightenment, as well as from the philosophers of the epoch who would discredit at all costs the work of French composers in the eyes of the audience.

Słowa kluczowe

Jacques Cazotte, French Opera, French Enlightenment, rhetoric

Bibliografia

Algarotti F., Essai sur l’opéra, Pise–Paris 1773.

Batteux Ch., De la construction oratoire, Paris 1763.

Batteux Ch., Les beaux arts réduits à un même principe, Paris 1746.

Dubos J.-B., Réflexions critiques sur la poésie et la peinture, seconde partie, Paris 1719.

Cazotte J., La Guerre de l’opéra. Lettre écrite à une dame de province, [sans lieu] 1753.

Décote G., L’itinéraire de Jacques Cazotte. De la fiction littéraire au mysticisme politique, Genève 1984.

Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers, tome XIV, Neufchastel 1765.

Fontenelle B., Digression sur les Anciens et les Modernes : Entretiens sur la pluralité des mondes. Digression sur les Anciens et les Modernes, textes réunis et présentés par R. Shackleton, Oxford 1955.

Kaminski P., Mille et un opéras, Paris 2004.

Kintzler C., Jean-Philippe Rameau. Splendeur et naufrage de l’esthétique du plaisir à l’âge classique, Paris 1983.

Lamy B., La Rhétorique ou l’art de parler, Paris 1757.

Lontrade A., Le plaisir esthétique. Naissance d’une notion, Paris–Budapest–Torino 2004.

Nuitter Ch., Thoinan E., Les Origines de l’Opéra français, Paris 1886.

Rousseau J.-J., Essai sur l’origine des langues [dans :] Œuvres complètes, t. V, textes réunis et présentés par B. Gagnebin et M. Raymond, Paris 1995.

Rousseau J.-J., Lettre sur la musique française [dans :] Œuvres complètes, t. V, textes réunis et présentés par B. Gagnebin et M. Raymond, Paris 1995.

Zacharow S., La Rhétorique dans la théorie de l’art à l’époque des Lumières en France, Łódź 2014.

Informacje

Informacje: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2018, Volume 13, Issue 1, s. 65 - 76

DOI: https://doi.org/10.4467/20843933ST.18.006.8284

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

L'Opéra au service de la Nation. La relecture rhétorique de la Guerre de l'Opéra de Jacques Cazotte.

Angielski:

The Opera in the Service of the Nation. The Rhetorical Lecture of Guerre de l’Opéra by Jacques Cazotte

Autorzy

Sebastian Zacharow

https://orcid.org/0000-0001-5536-1637

Uniwersytet Łódzki, Polska, ul. Narutowicza 65, 90-131 Łódź

Publikacja: 27.03.2018

Status artykułu: Otwarte

Licencja: CC BY-NC-ND

Udział procentowy autorów:

Sebastian Zacharow (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Francuski

Liczba wyświetleń: 861

Liczba pobrań: 750

L'Opéra au service de la Nation. La relecture rhétorique de la Guerre de l'Opéra de Jacques Cazotte.

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